Style
Though their songs have been described as having "entered the postsong age", Rara said that she felt music was "still very much in a song age" as "very few people are making work without a specific duration or end point". Rara said that the structure of Lucky Dragons' songs were very different, with some songs lasting only for "a few sputters" and with others that "revolve around shepherd tones and expand for hours". She stated that many of their songs "begin with improvisation" and said it was "like a game where the only rule is that each action must generate a kind of response or new action". The improvisation enables them to "keep moving in several new directions at once".
Fischbeck said "a song in my mind is something that is completed once it is distributed and can come back in a changed form through a listening reaction" and was the element that enabled him to continue to call the band's music songs, as opposed to what he called "the much more technologically neutral 'tracks,' which imply any human interaction at all".
The Stranger described two of the band's older albums, Norteñas and Future Feeling, as "employ a scrappy indietronica approach that sounds like Icelandic cuties Múm if they were raised on UK post-punk spazzes Swell Maps and hit "record" while buzzed on Jolt." Fischbeck noted that he felt the band's music was "maybe a mix between political and healing—meditative punk..."
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—Henry David Thoreau (1817–1862)