Love Magic in Literature and Art
In literature and art, the motif of a genuine love spell is interwoven more often, and made the starting point of tragic setbacks and complications. One of the earliest manifestations of the theme in the Western world is the story of Heracles and Deianeira. A famous treatment of the subject is in Richard Wagner's opera Tristan and Isolde, which in turn goes back to the same epic by Gottfried von Strassburg. Other examples of the use of love magic motif are Donizetti's The Elixir of Love (L'Elisir d'amore) and Manuel de Falla's ballet El amor brujo (The magic of love).
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Famous quotes containing the words love, magic, literature and/or art:
“If all else perished, and he remained, I should still continue to be; and if all else remained, and he were annihilated, the universe would turn to a mighty stranger. I should not seem a part of it.... My love for Heathcliff resembles the eternal rocks beneath—a source of little visible delight, but necessary. Nelly, I am Heathcliff—he’s always, always in my mind—not as a pleasure, any more than I am always a pleasure to myself—but as my own being.”
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“The Prospero of poisons, the Faustus of the front,
bringing mental magic to modern armament.”
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“All modern American literature comes from one book by Mark Twain called Huckleberry Finn.... American writing comes from that. There was nothing before. There has been nothing as good since.”
—Ernest Hemingway (1899–1961)
“You may tell a man thou art a fiend, but not your nose wants blowing; to him alone who can bear a thing of that kind, you may tell all.”
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