Love Always - Production, Writing, and Recording

Production, Writing, and Recording

"We wanted to do an album that everyone could listen to. We had this 'bad boy' image, and we're trying to get around that."

—JoJo

JoJo told Ebony that he and K-Ci "wrote 75 percent" of Love Always. The brothers said they wanted to make an album that everyone, including their Christian mother, would be able to listen to. K-Ci told Ebony, "We want to write songs that women can listen to. You can listen to this in the car, riding with the folks." Contrasting the album with the brothers' work with Jodeci, K-Ci told Billboard, "With Jodeci, we might sing 'Freek'n You', and with K-Ci & JoJo, we don't use the word 'sex'".

Love Always was the first album K-Ci & JoJo produced. Referring to DeVante Swing, who produced many of Jodeci's songs, K-Ci told Billboard, "We couldn't just say, 'Oh, DeVante's gonna make sure it's mixed right.' We had to do it." Other contributors to the album included Rory Bennett, James Mtume, Jorge Corante, Mike Smoov, Fred Rosser, Jeff Redd, Joey Wlias, Laney Stewart, Gerald Baillergeau, DeVante Swing, Derrick Garrett, Craig Brockman, Victor Merrit, Jon-John Robinson, Andrew Braxton, and Bradley Spalter. Mike Smoov, Jimi Randolph, Derrick Garrett, Thom Cadley, and Mikael Ifverson engineered the album.

Recording took place in 1996 and 1997 at recording studios in New York and the Los Angeles area:

New York
  • ACME Recording Studio in Mamaroneck
  • Battery Studios in New York City
  • Hit City Studio in Bronx
  • Sony Music Studios in New York City
  • Sony Recording Studio in New York City
  • Sound Track Studio in New York City
  • Startrak in New York City
Southern California
  • Audio Achievements in Torrance
  • Boulevard Recording Studio in Carson
  • Classroom Studio in Hollywood
  • Tracken Place in Los Angeles
  • Tickle Box Studios in Los Angeles
  • Westlake Studio in Los Angeles

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Famous quotes containing the word recording:

    I didn’t have to think up so much as a comma or a semicolon; it was all given, straight from the celestial recording room. Weary, I would beg for a break, an intermission, time enough, let’s say, to go to the toilet or take a breath of fresh air on the balcony. Nothing doing!
    Henry Miller (1891–1980)