Louise Brooks - Legacy

Legacy

Brooks had always been very self-directed, even difficult, and was notorious for her salty language, which she didn't hesitate to use whenever she felt like it. In addition, she had made a vow to herself never to smile on stage unless she felt compelled to, and although the majority of her publicity photos show her with a neutral expression, she had a dazzling smile. By her own admission, she was a sexually liberated woman, not afraid to experiment, even posing fully nude for art photography, and her liaisons with many film people were legendary, although much of it is speculation.

Louise Brooks as an unattainable film image served as an inspiration for Adolfo Bioy Casares when he wrote his science fiction novel The Invention of Morel (1940) about a man attracted to Faustine, a woman who is only a projected 3-D image. In a 1995 interview, Casares explained that Faustine is directly based on his love for Louise Brooks who "vanished too early from the movies". (Elements of The Invention of Morel, minus the science fiction elements, served as a basis for Alain Resnais's 1961 film Last Year at Marienbad.)

Brooks also had an influence in the graphics world – she had the distinction of inspiring two separate comics: the long-running Dixie Dugan newspaper strip by John H. Striebel that started in the late 1920s and ran until 1966, which grew out of the serialized novel and later stage musical, Show Girl, that writer J.P. McEvoy had loosely based on Louise's days as a Follies girl on Broadway; and the erotic comic books of Valentina, by the late Guido Crepax, which began publication in 1965 and continued for many years. Crepax became a friend and regular correspondent with Louise late in her life. Hugo Pratt, another comics artist, also used her as inspiration for characters, and even named them after her.

In her 2011 novel of supernatural horror, Houdini Heart, Ki Longfellow uses Brooks as an actual character in the leading character's visions. Brooks appears as a character in the 2012 novel The Chaperone by Laura Moriarty.

In an interview with James Lipton on Inside the Actors Studio, Liza Minnelli related her preparation for portraying Sally Bowles in the film Cabaret: "I went to my father, and asked him, what can you tell me about thirties glamour? Should I be emulating Marlene Dietrich or something? And he said no, I should study everything I can about Louise Brooks."

In 1991 the British new wave group Orchestral Manoeuvres in the Dark released a single named "Pandora's Box" as a tribute to Brooks. The video for the single used extensive footage of Brooks from the movie and included a text intro that explained who Brooks was. And, for the 1988 Siouxsie and The Banshees album (Peepshow) and tour, singer Siouxsie Sioux sported a hairdo and costumes in Brooks's style.

An exhibit titled "Louise Brooks and the 'New Woman' in Weimar Cinema" ran at the International Center of Photography in New York City in 2007, focusing on Brooks' iconic screen persona and celebrating the hundredth anniversary of her birth.