Work
Horthemels was active in Paris as an engraver for nearly fifty years and produced more than sixty signed copper plates.
Her first published work was a frontispiece for Alain-René Lesage's novel Le Diable boiteux(fr) (1707), which she signed Magdeleine Horthemels fec. Her later work is signed variously Magd. Horthemels, L. Mag. Horthemels, M. Horthemels, Magd. Horthemels Sponsa C. Cochin, and Magdeleine Cochin.
It was long believed that Louise-Magdeleine and her sisters Marie-Nicole and Marie-Anne-Hyacinthe all signed work Marie Horthemels, but a careful study has shown that the signed work of the sisters can easily be distinguished. Nevertheless, the members of the family commonly worked together on a single composition.
Louise-Magdeleine Horthemels engraved paintings by Nicolas Poussin, Charles Le Brun, Antoine Coypel, Michel Corneille the Younger, Claude Vignon, and Nicolas Lancret, and produced illustrations for a history of the Hôtel des Invalides and for a history of the Languedoc, in collaboration with her husband Charles-Nicolas Cochin the Elder. She designed a series of twenty-three plates depicting the nuns of the abbey of Port-Royal and their everyday life. The abolition of the abbey had been ordered by a bull of Pope Clement XI in September 1708, the remaining nuns were forcibly removed in 1709, and most of the buildings were razed to the ground in 1710, on the orders of the Conseil du Roi of King Louis XIV.
Horthemels completed a great plate called Le feu d'artifice de la place de Navone, after Giovanni Pannini, which had been begun by her son Charles Nicolas Cochin. She also engraved portraits, such as a copper engraving of Prince James Francis Edward Stuart, after an early eighteenth century painting by her brother-in-law Alexis Simon Belle.
In the early work of Horthemels as an engraver, there is a certain rigidity of line, while architectural detail is emphasized. However, her skill lay in engraving the work of others so that their genius was revealed and her own style was suppressed. Her hand was sure, and her work shows a delicacy and clarity of touch which were much admired in her own time.
Read more about this topic: Louise-Magdeleine Horthemels
Famous quotes containing the word work:
“A perfect personality ... is only possible in a state of society where man is free to choose the mode of work, the conditions of work, and the freedom to work. One to whom the making of a table, the building of a house, or the tilling of the soil, is what the painting is to the artist and the discovery to the scientist,—the result of inspiration, of intense longing, and deep interest in work as a creative force.”
—Emma Goldman (1869–1940)
“They give us a pair of cloth shorts twice a year for all our clothing. When we work in the sugar mills and catch our finger in the millstone, they cut off our hand; when we try to run away, they cut off our leg: both things have happened to me. It is at this price that you eat sugar in Europe.”
—Voltaire [François Marie Arouet] (1694–1778)
“... possibly there is no needful occupation which is wholly unbeautiful. The beauty of work depends upon the way we meet it—whether we arm ourselves each morning to attack it as an enemy that must be vanquished before night comes, or whether we open our eyes with the sunrise to welcome it as an approaching friend who will keep us delightful company all day, and who will make us feel, at evening, that the day was well worth its fatigues.”
—Lucy Larcom (1824–1893)