Louis Le Prince - Forgotten Inventor of Motion Pictures

Forgotten Inventor of Motion Pictures

The early history of motion pictures in the United States and Europe is marked by battles over patents of cameras. In 1888 Le Prince was granted an American dual-patent on a 16-lens device that combined a motion picture camera with a projector. A patent for a single-lens type (MkI) was refused in America because of an interfering patent, yet a few years later the same patent was not opposed when the American Thomas Edison applied for one.

On October 14, 1888, Le Prince used an updated version (MkII) of his single-lens camera to film Roundhay Garden Scene. He exhibited his first films in the Whitley factory in Hunslet, Leeds and in Oakwood Grange, the Whitley home in Roundhay, Leeds, but they were not distributed to the general public.

The following year, he took French-American dual citizenship in order to establish himself with his family in New York City and to follow up his research. However, he was never able to perform his planned public exhibition at Jumel Mansion, New York, in September 1890, due to his mysterious disappearance. Consequently, Le Prince's contribution to the birth of the cinema has often been overlooked.

Read more about this topic:  Louis Le Prince

Famous quotes containing the words forgotten, inventor, motion and/or pictures:

    Pale flakes with fingering stealth come feeling for our faces—
    We cringe in holes, back on forgotten dreams, and stare, snow-dazed,
    Deep into grassier ditches.
    Wilfred Owen (1893–1918)

    Only an inventor knows how to borrow, and every man is or should be an inventor.
    Ralph Waldo Emerson (1803–1882)

    As I walked on the glacis I heard the sound of a bagpipe from the soldiers’ dwellings in the rock, and was further soothed and affected by the sight of a soldier’s cat walking up a cleated plank in a high loophole designed for mus-catry, as serene as Wisdom herself, and with a gracefully waving motion of her tail, as if her ways were ways of pleasantness and all her paths were peace.
    Henry David Thoreau (1817–1862)

    We can paint unrealistic pictures of the juggler—displaying her now as a problem-free paragon of glamour and now as a modern hag. Or we can see in the juggler a real person who strives to overcome the obstacles that nature and society put in her path and who does so with vigor and determination.
    Faye J. Crosby (20th century)