Louis Armstrong And His Hot Five
The Hot Five was Louis Armstrong's first jazz recording band led under his own name.
It was a typical New Orleans jazz band in instrumentation, consisting of trumpet, clarinet, and trombone backed by a rhythm section. The original New Orleans jazz style leaned heavily on collective improvisation, where the three horns together played the lead: the trumpet played the main melody, and the clarinet and trombone played improvised accompaniments to the melody. This tradition was continued in the Hot Five, but because of Armstrong's creative gifts as a trumpet player, solo passages where the trumpet played alone began to appear more frequently. In these brilliant solos, Armstrong laid down the basic vocabulary of jazz improvising, and became its founding and most influential exponent.
The Hot Five was a recording group organized at the suggestion of Richard M. Jones for Okeh Records. All their records were made in Okeh's Chicago, Illinois recording studio. The exact same personnel recorded a session made under the pseudonym "Lil's Hotshots" for Vocalion/Brunswick. While the musicians in the Hot 5 played together in other contexts, as the Hot 5 they were a recording studio band that performed live only for two parties organized by Okeh Records.
There were two different groups called "Louis Armstrong and his Hot Five", the first recording from 1925 through 1927 and the second in 1928; Armstrong was the only musician in both groups.
Read more about Louis Armstrong And His Hot Five: The First Hot Five, The 1928 Hot Five
Famous quotes containing the words louis armstrong, louis, armstrong and/or hot:
“You ask: What is it that philosophers have called qualitative states? I answer, only half in jest: As Louis Armstrong is said to have said when asked what jazz is, If you got to ask, you aint never gonna get to know.”
—Ned Block (b. 1942)
“Whenever the moon and stars are set,
Whenever the wind is high,
All night long in the dark and wet,
A man goes riding by.”
—Robert Louis Stevenson (18501894)
“There dwelt a man in faire Westmerland,
Jonnë Armestrong men did him call,
He had nither lands nor rents coming in,
Yet he kept eight score men in his hall.”
—Unknown. Johnie Armstrong (l. 14)
“One ... aspect of the case for World War II is that while it was still a shooting affair it taught us survivors a great deal about daily living which is valuable to us now that it is, ethically at least, a question of cold weapons and hot words.”
—M.F.K. Fisher (19081992)