Los Rayos Gamma - The Group

The Group

The "classical" line-up of Los Rayos Gamma features them all dressed in black (as to not allude to any political party in Puerto Rico, or more precisely, their insignia's colors). It features Silverio Pérez on guitar, Horacio Olivo in bongos and minor percussion, and Jacobo Morales using percussion only occasionally. A running gag among the group is that Morales can only sing by following visual cues (usually from Olivo, who is a strong percussionist and even dances onstage when propped) as to stay in rhythm; salsa singer Rubén Blades (who has sung onstage with the group in various occasions) joked about this by calling Morales "the black hole of clave". In reality, Morales can keep rhythm using clave sticks, or sing, but not do both at the same time. At the same time, Morales -for some unexplained reason, his partners claim- comes across as a very convincing tango singer.

Logroño, on the other hand, besides using the group's common black uniform, may also feature distinctive props, usually those alluding to his own comedic characters (for example, Vitin Alicea's beret), depending on a song's lyrics. He may play guitar, minor percussion, or other instruments, again, depending on each song.

The group's augmented lineup usually features a full orchestra, complete with horn section and chorus singers. It is frequently directed by keyboardist José "Cuqui" Rodríguez, who was also the musical director of many of Logroño's comedy programs.

Read more about this topic:  Los Rayos Gamma

Famous quotes containing the word group:

    We begin with friendships, and all our youth is a reconnoitering and recruiting of the holy fraternity they shall combine for the salvation of men. But so the remoter stars seem a nebula of united light, yet there is no group which a telescope will not resolve; and the dearest friends are separated by impassable gulfs.
    Ralph Waldo Emerson (1803–1882)

    Even in harmonious families there is this double life: the group life, which is the one we can observe in our neighbour’s household, and, underneath, another—secret and passionate and intense—which is the real life that stamps the faces and gives character to the voices of our friends. Always in his mind each member of these social units is escaping, running away, trying to break the net which circumstances and his own affections have woven about him.
    Willa Cather (1873–1947)