The Los Angeles Film Critics Association ("LAFCA") was founded in 1975. Its main purpose is to present yearly awards to members of the film industry who have excelled in their fields. These awards are presented each January. Because of the promptness of the award presentation, right after the end of the year, the LAFCA awards and the Golden Globe Awards are seen as significant in presaging the winners of the Academy Awards.
Famous quotes containing the words los angeles, los, angeles, film, critics and/or association:
“If Los Angeles has been called “the capital of crackpots” and “the metropolis of isms,” the native Angeleno can not fairly attribute all of the city’s idiosyncrasies to the newcomer—at least not so long as he consults the crystal ball for guidance in his business dealings and his wife goes shopping downtown in beach pajamas.”
—For the State of California, U.S. public relief program (1935-1943)
“Of Eva first, that for hir wikkednesse
Was al mankinde brought to wrecchednesse,
For which that Jesu Crist himself was slain
That boughte us with his herte blood again—
Lo, heer expres of wommen may ye finde
That womman was the los of al mankinde.”
—Geoffrey Chaucer (1340?–1400)
“Many people I know in Los Angeles believe that the Sixties ended abruptly on August 9, 1969, ended at the exact moment when word of the murders on Cielo Drive traveled like brushfire through the community, and in a sense this is true. The tension broke that day. The paranoia was fulfilled.”
—Joan Didion (b. 1935)
“All film directors, whether famous or obscure, regard themselves as misunderstood or underrated. Because of that, they all lie. They’re obliged to overstate their own importance.”
—François Truffaut (1932–1984)
“I don’t like to write like God. It is only because you never do it, though, that the critics think you can’t do it.”
—Ernest Hemingway (1899–1961)
“It is not merely the likeness which is precious ... but the association and the sense of nearness involved in the thing ... the fact of the very shadow of the person lying there fixed forever! It is the very sanctification of portraits I think—and it is not at all monstrous in me to say ... that I would rather have such a memorial of one I dearly loved, than the noblest Artist’s work ever produced.”
—Elizabeth Barrett Browning (1806–1861)