Style
The years of Mongiardino’s debut are those of the Modern Movement, but he resisted this new wave, fearing its effects, and perceiving an intrinsic lack of feeling. Instinct took him elsewhere, to seek the harmony of the antique that draws on and re-invents itself in a completely new way. The private nature of his projects and their nature, in the sense that they are an ends unto themselves, and will most likely not survive beyond the lives of their owners, brings with it the risk that Mongiardino’s name may not correspond to anything definite, but true only as evocation of the rich and famous world.
There are in fact several public works of Mongiardino, including two buildings built in Milan (in Via Donizetti and in via Borgonuovo), the restoration of several important hotels (the lobby bar at The Carlyle in New York, The Hotel Kulm in St. Moritz, The Plaza in Rome), as well as the restaurant ("Da Giacomo" in Milan) and several shops, including Sabbadini Jewelers on Milan's Via Montenapoleone. But these works are the exception that the primary focus of Mongiardino’s research, which was addressed almost exclusively to the preparation of domestic spaces, through a careful combination of the search for harmonious proportions and a love for the meticulous execution of every detail.
Before Mongiardino, houses were built in a particular historical style. Mongiardino revolutionized this methodology. He writes: "The houses are furnished, are created considering the structure, the skeleton, the intrinsic beauty, when there is. We believe we can invent a new house, a universal model that could be replicated identically in Naples as in Stockholm. But the house is not an invention, it is always the same shelter that man needs because he is tired, because he's hungry, because he has to sleep. Older houses were built on the extent of these practical needs, they expressed the authenticity of the goods and used the same limits imposed by available materials and technologies called for the pursuit of beauty in function. Skilled creator of spectacular spaces, he has been able to juxtapose ordinary objects and antiques, in a masterly game of fabrics or painted, and sculptured panels and a range of trompe l'oeil, whereby he obtained masterpieces with poor materials.
Fundamental in his work, however, is the determination of space, the search for a balance of proportions that must precede the decoration. Precisely this is his book "Roomscapes”. Only later Mongiardino inserted, with the sensitivity set designer, fakes and real objects presented without any hierarchy of values in a setting in which each subject was taking its natural space.
Read more about this topic: Lorenzo Mongiardino
Famous quotes containing the word style:
“Sometimes among our more sophisticated, self-styled intellectuals—and I say self-styled advisedly; the real intellectual I am not sure would ever feel this way—some of them are more concerned with appearance than they are with achievement. They are more concerned with style then they are with mortar, brick and concrete. They are more concerned with trivia and the superficial than they are with the things that have really built America.”
—Lyndon Baines Johnson (1908–1973)
“Hemingway was a prisoner of his style. No one can talk like the characters in Hemingway except the characters in Hemingway. His style in the wildest sense finally killed him.”
—William Burroughs (b. 1914)
“I concluded that I was skilled, however poorly, at only one thing: marriage. And so I set about the business of selling myself and two children to some unsuspecting man who might think me a desirable second-hand mate, a man of good means and disposition willing to support another man’s children in some semblance of the style to which they were accustomed. My heart was not in the chase, but I was tired and there was no alternative. I could not afford freedom.”
—Barbara Howar (b. 1934)