Lorenzo Mongiardino - Biography

Biography

In 1936 Renzo Mongiardino moved from Genoa to Milan to study architecture; in 1942 he graduated from the Politecnico di Milano, together with Giò Ponti.

Beginning in 1944, Mongiardino collaborated Domus magazine, writing many articles. During this period he also began his multifaceted career, focusing primarily on the creation of residential and theatre environments.

In the early fifties Mongiardino began to establish himself as an architect, working from his home and studio in central Milan, on the elegant Via Bianca Maria.

Mongiardino was responsible for creating some of the most important and enchanting houses of the second half of twentieth century, created for an international and prestigious clientele of cultured collectors and entrepreneurs including Baron Hans Heinrich Thyssen-Bornemisza, Aristotle Onassis, Gianni Agnelli and Marella Agnelli, Lee Radziwill and Stanisław Albrecht Radziwiłł, Gianni Versace, Edmond Safra and Lily Safra, Princess Firyal of Jordan, Valentino Garavani, the Rothschild family and the Hearst family. Also starting in the late fifties Mongiardino began his career as “production designer” in Theatre and Cinema together with Franco Zeffirelli, Peter Hall, Giancarlo Menotti and Raymond Rouleau.

In 1993 Rizzoli published “Roomscapes”, a lessons-learned monograph about Mongiardino in which revealed some of his standards of interior design, without forgetting his irreplaceable craftsmen and assistants able to transform his aesthetic dreams into reality; united to his “elective affinity that arrives after years of cooperation and in continuous exercise of affectionate understanding”.

After the arson of theatre “La Fenice” in 1996, Gae Aulenti assigned Mongiardino the project for the interior theatre refurbishment, a project which he was not able to complete.

Mongiardino died in Milan on 16 January 1998.

Read more about this topic:  Lorenzo Mongiardino

Famous quotes containing the word biography:

    Just how difficult it is to write biography can be reckoned by anybody who sits down and considers just how many people know the real truth about his or her love affairs.
    Rebecca West (1892–1983)

    The death of Irving, which at any other time would have attracted universal attention, having occurred while these things were transpiring, went almost unobserved. I shall have to read of it in the biography of authors.
    Henry David Thoreau (1817–1862)

    As we approached the log house,... the projecting ends of the logs lapping over each other irregularly several feet at the corners gave it a very rich and picturesque look, far removed from the meanness of weather-boards. It was a very spacious, low building, about eighty feet long, with many large apartments ... a style of architecture not described by Vitruvius, I suspect, though possibly hinted at in the biography of Orpheus.
    Henry David Thoreau (1817–1862)