Lorenzo Mongiardino - Biography

Biography

In 1936 Renzo Mongiardino moved from Genoa to Milan to study architecture; in 1942 he graduated from the Politecnico di Milano, together with Giò Ponti.

Beginning in 1944, Mongiardino collaborated Domus magazine, writing many articles. During this period he also began his multifaceted career, focusing primarily on the creation of residential and theatre environments.

In the early fifties Mongiardino began to establish himself as an architect, working from his home and studio in central Milan, on the elegant Via Bianca Maria.

Mongiardino was responsible for creating some of the most important and enchanting houses of the second half of twentieth century, created for an international and prestigious clientele of cultured collectors and entrepreneurs including Baron Hans Heinrich Thyssen-Bornemisza, Aristotle Onassis, Gianni Agnelli and Marella Agnelli, Lee Radziwill and Stanisław Albrecht Radziwiłł, Gianni Versace, Edmond Safra and Lily Safra, Princess Firyal of Jordan, Valentino Garavani, the Rothschild family and the Hearst family. Also starting in the late fifties Mongiardino began his career as “production designer” in Theatre and Cinema together with Franco Zeffirelli, Peter Hall, Giancarlo Menotti and Raymond Rouleau.

In 1993 Rizzoli published “Roomscapes”, a lessons-learned monograph about Mongiardino in which revealed some of his standards of interior design, without forgetting his irreplaceable craftsmen and assistants able to transform his aesthetic dreams into reality; united to his “elective affinity that arrives after years of cooperation and in continuous exercise of affectionate understanding”.

After the arson of theatre “La Fenice” in 1996, Gae Aulenti assigned Mongiardino the project for the interior theatre refurbishment, a project which he was not able to complete.

Mongiardino died in Milan on 16 January 1998.

Read more about this topic:  Lorenzo Mongiardino

Famous quotes containing the word biography:

    In how few words, for instance, the Greeks would have told the story of Abelard and Heloise, making but a sentence of our classical dictionary.... We moderns, on the other hand, collect only the raw materials of biography and history, “memoirs to serve for a history,” which is but materials to serve for a mythology.
    Henry David Thoreau (1817–1862)

    There never was a good biography of a good novelist. There couldn’t be. He is too many people, if he’s any good.
    F. Scott Fitzgerald (1896–1940)

    The best part of a writer’s biography is not the record of his adventures but the story of his style.
    Vladimir Nabokov (1899–1977)