Critical Reception
Professional ratings | |
---|---|
Review scores | |
Source | Rating |
Allmusic | |
Robert Christgau | B |
Entertainment Weekly | B− |
The Guardian | |
The New York Times | (favorable) |
Pitchfork Media | (6.4/10) |
Rolling Stone | |
Slant Magazine | |
Spin | |
The Village Voice | (mixed) |
Loose received positive reviews from critics, receiving a 71/100 rating on the review scores aggregate website Metacritic. musicOMH and Allmusic cited the "revitalising" effect of Timbaland on Furtado's music, and The Guardian called it "slick, smart and surprising." Allmusic wrote in its review, "It's on this final stretch of the album that the Furtado and Timbaland pairing seems like a genuine collaboration, staying true to the Nelly of her first two albums, but given an adventurous production that helps open her songs up ... Timbaland has revitalized Nelly Furtado both creatively and commercially with Loose". She won her first BRIT Award—Best International Female—in 2007.
Rolling Stone gave it a mixed review. While "Promiscuous" was criticized as "garish", it was noted that "Maneater" "bumps hard enough to qualify as a sequel, and that's high praise indeed." Vibe stated, "she loses herself in Gwen Stefani–like posturing, as on “Glow,” and ethnic fusions like “No Hay Igual” or “Te Busque." In his consumer guide for The Village Voice, critic Robert Christgau gave the album a B rating and named it "dud of the month", indicating "a bad record whose details rarely merit further thought. At the upper level it may merely be overrated, disappointing, or dull. Down below it may be contemptible". Christgau viewed that its dance-oriented tracks "might accomplish God's great plan on the dance-floor. But as songs they're not much".
Read more about this topic: Loose (Nelly Furtado Album)
Famous quotes containing the words critical and/or reception:
“Post-modernism has cut off the present from all futures. The daily media add to this by cutting off the past. Which means that critical opinion is often orphaned in the present.”
—John Berger (b. 1926)
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (18581915)