Frisbee: The Life and Death of A Hippie Preacher
Jim Palosaari narrated "Frisbee: The Life and Death of a Hippie Preacher" and the documentary received an Emmy Award nomination from the National Academy of Television Arts and Sciences (San Francisco/NorCal chapter).
Finished in March 2005, Frisbee was first accepted to the Newport Beach Film Festival where it sold out the Lido Theater not far from where in the late 1960s the Frisbees ran the Blue Top commune, a Christian community of young hippie believers. The documentary was also accepted to the Mill Valley (2005), Reel Heart (2005), Ragamuffin (2005), San Francisco International Independent (2006), New York Underground (2006) and Philadelphia Gay & Lesbian (2006) film festivals. The edited movie showed on San Francisco's KQED in November 2006, and was released in DVD form in January 2007.
A soundtrack featuring the music of The All Saved Freak Band, Agape, Joy and Gentle Faith was released in May 2007. A pre-release version of the DVD was produced that featured 21 recordings of songs by Larry Norman alone, as well as others by Randy Stonehill, Love Song, Fred Caban, Mark Heard, and Stonewood Cross. However, due to licensing issues most of the music was changed for the final release.
Read more about this topic: Lonnie Frisbee
Famous quotes containing the words life, death and/or hippie:
“There are more truths in twenty-four hours of a mans life than in all the philosophies.”
—Raoul Vaneigem (b. 1934)
“I am tired with my own life and the lives of those after me,
I am dying in my own death and the deaths of those after me.”
—T.S. (Thomas Stearns)
“The hippie is the scion of surplus value. The dropout can only claim sanctity in a society which offers something to be dropped out ofcareer, ambition, conspicuous consumption. The effects of hippie sanctimony can only be felt in the context of others who plunder his lifestyle for what they find good or profitable, a process known as rip-off by the hippie, who will not see how savagely he has pillaged intricate and demanding civilizations for his own parodic lifestyle.”
—Germaine Greer (b. 1939)