Longchenpa - Works

Works

Longchenpa is widely considered the single most important writer on the Dzogchen teachings. He is credited with more than 250 works, both as author and compiler, among which are the famous Seven Treasures (mdzod bdun), the Trilogy of Natural Freedom (rang grol skor gsum), the Trilogy of Natural Ease (ngal gso skor gsum), his Trilogy of Dispelling Darkness, and his compilation - plus commentaries - of the Nyingtig Yabshi. He is also a commentator of the Kunyed Gyalpo Tantra (Tib., kun byed rgyal po'i rgyud; "The King Who Creates Everything"), a text belonging to the Mind Class (Tib., sems sde) of the Ati Yoga Inner Tantras. As scholar Jacob Dalton summarizes,

His foremost writings were gathered into several collections: The Mdzod bdun (Seven Treasuries) are his most famous works, presenting the whole of Buddhist thought from a snying thig viewpoint; the Ngal gso skor gsum (Resting at Ease Trilogy) and the Rang grol skor gsum (Natural Freedom Trilogy) provide in-depth introductions to Rdzogs chen; the Mun sel skor gsum (Dispelling the Darkness Trilogy) are three commentaries on the Guhyagarbha Tantra; and the Snying thig ya bzhi (Seminal Quintessence in Four Parts) is a redaction of his three snying thig commentaries together with their predecessors, the Vima snying thig and the Mkha' 'gro snying thig.

Longchenpa combined the teachings of the Vima Nyingtig lineage with those of the Khandro Nyingtig, thus preparing the ground for the fully unified system of teachings that became known as the Longchen Nyingthig (by Jigme Lingpa).

Read more about this topic:  Longchenpa

Famous quotes containing the word works:

    Only the more uncompromising of the mystics still seek for knowledge in a silent land of absolute intuition, where the intellect finally lays down its conceptual tools, and rests from its pragmatic labors, while its works do not follow it, but are simply forgotten, and are as if they never had been.
    Josiah Royce (1855–1916)

    One of the surest evidences of an elevated taste is the power of enjoying works of impassioned terrorism, in poetry, and painting. The man who can look at impassioned subjects of terror with a feeling of exultation may be certain he has an elevated taste.
    Benjamin Haydon (1786–1846)

    Most works of art are effectively treated as commodities and most artists, even when they justly claim quite other intentions, are effectively treated as a category of independent craftsmen or skilled workers producing a certain kind of marginal commodity.
    Raymond Williams (1921–1988)