Long Hello and Short Goodbye is a 1999 German crime film produced by Studio Hamburg Letterbox Filmproduktion and co-authored by Jeff Vintar and Martin Rauhaus. The film features a recently-released safe-cracker named Ben, and an undercover police agent named Melody. Melody's job is to dupe Ben into another job so that he can be put away once more by her sinister and ambitious boss Kahnitz. But complications arise when the talkative cop falls for the taciturn gangster.
The original American screenplay by Jeff Vintar featured a complex neo-noir flashback structure that centered around the seemingly dead characters littering the bloody floor of a fancy apartment. As the story progresses, we find out that some of these dead people are not dead at all, more are hiding in the closet, and slowly the pieces of the puzzle come together in classic film noir fashion, but with a distinctly modern edge. The producers of the German film got cold feet shortly before the movie's release, and re-edited the film as a linear story, diluting its effect and polarizing critics and audience members alike, although it remains a cult favorite among noir buffs, and received a positive review in Variety that predicted the film would play in broad-minded festivals around the world, where genre fans should lap it up.
An English-language version of Vintar's original screenplay has struggled to reach the screen for many years, under a variety of producers and production companies, making his script almost perpetually under option. One incarnation had Gustavo Mosquera (Moebius) directing, with Face/Off director John Woo and his partner Terence Chang producing under their Lion Rock banner. The screenplay is currently being developed by the production company Circle of Confusion.
Read more about Long Hello And Short Goodbye: Cast
Famous quotes containing the words long, short and/or goodbye:
“And there could I marvel my birthday
Away but the weather turned around. And the true
Joy of the long dead child sang burning
In the sun.”
—Dylan Thomas (1914–1953)
“The individual, the great artist when he comes, uses everything that has been discovered or known about his art up to that point, being able to accept or reject in a time so short it seems that the knowledge was born with him, rather than that he takes instantly what it takes the ordinary man a lifetime to know, and then the great artist goes beyond what has been done or known and makes something of his own.”
—Ernest Hemingway (1899–1961)
“When superstition is allowed to perform the task of old age in dulling the human temperament, we can say goodbye to all excellence in poetry, in painting, and in music.”
—Denis Diderot (1713–1784)