In Fiction and Popular Culture
Notable fictitious alumni include President Josiah Bartlet from the television series The West Wing and Andrew Bond, the father of Ian Fleming's James Bond and Jim Hacker, the fictitious Minister and Prime Minister of Yes, Minister and Yes, Prime Minister (in which the Prime Minister is regularly derided by his Permanent Secretary for not having attended Oxford or Cambridge).
The LSE features in the book, Liar's Poker by Michael Lewis. The autobiographical book, charts how Lewis's career in investment banking was begun while enrolled at the university. First published in 1989, it is considered one of the books that defined Wall Street during the 1980s, along with Bryan Burrough and John Helyar's Barbarians at the Gate: The Fall of RJR Nabisco, and the fictional The Bonfire of the Vanities by Tom Wolfe.
In John LeCarré's spy novel Tinker, Tailor, Soldier, Spy, the detention of two Czech academics at the LSE is ordered by the character Bill Haydon.
The LSE is mentioned in the film The Social Network, as being one of the first three UK universities to have a Facebook network, along with Oxford and Cambridge.
Read more about this topic: London School Of Economics
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“I write fiction and I’m told it’s autobiography, I write autobiography and I’m told it’s fiction, so since I’m so dim and they’re so smart, let them decide what it is or it isn’t.”
—Philip Roth (b. 1933)
“People try so hard to believe in leaders now, pitifully hard. But we no sooner get a popular reformer or politician or soldier or writer or philosopher—a Roosevelt, a Tolstoy, a Wood, a Shaw, a Nietzsche, than the cross-currents of criticism wash him away. My Lord, no man can stand prominence these days. It’s the surest path to obscurity. People get sick of hearing the same name over and over.”
—F. Scott Fitzgerald (1896–1940)
“We do not need to minimize the poverty of the ghetto or the suffering inflicted by whites on blacks in order to see that the increasingly dangerous and unpredictable conditions of middle- class life have given rise to similar strategies for survival. Indeed the attraction of black culture for disaffected whites suggests that black culture now speaks to a general condition.”
—Christopher Lasch (b. 1932)