Lolly Pop

Lolly Pop is the stage personae of U.S. vocalist/songwriter Brooke Aldridge, as directed by British composer John Matthews (aka Ricardo Autobahn) and Minneapolis songwriter/producers Monte Moir (The Time) and Doctor Fink (Prince & The Revolution).

Read more about Lolly Pop:  Biography, Charitable Efforts

Famous quotes containing the words lolly and/or pop:

    A full bosom is actually a millstone around a woman’s neck: it endears her to the men who want to make their mammet of her, but she is never allowed to think that their popping eyes actually see her. Her breasts ... are not parts of a person but lures slung around her neck, to be kneaded and twisted like magic putty, or mumbled and mouthed like lolly ices.
    Germaine Greer (b. 1939)

    Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.
    W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)