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- Miss Jessel, The Turn of the Screw (Britten)
- Maria Padilla, Maria Padilla (Donizetti)
- Anna Karenina, Anna Karenina (Hamilton)
- Semele, Semele (Handel)
- Hanna, The Merry Widow (Lehár)
- Manon, Manon (Massenet)
- Mrs Medlock, The Secret Garden (Stephen McNeff)
- Donna Anna, Don Giovanni (Mozart)
- Fiordiligi, Così fan tutte (Mozart)
- Constanze, Die Entführung aus dem Serail (Mozart)
- The Countess, The Marriage of Figaro (Mozart)
- Stella, The Tales of Hoffman (Offenbach)
- Giulletta, The Tales of Hoffman (Offenbach)
- Antonia, The Tales of Hoffman (Offenbach)
- Musetta, La Bohème (Puccini)
- Kate Pinkerton, Madama Butterfly (Puccini)
- Tosca, Tosca (Puccini)
- Rosalinda, Die Fledermaus (Strauss)
- Arabella, Arabella (Strauss)
- Marschallin, Der Rosenkavalier (Strauss)
- Leonora, Il Trovatore (Verdi)
- Amelia, Simon Boccanegra (Verdi)
- Violetta, La Traviata (Verdi)
- Elsa, Lohengrin (Wagner)
- Freia, Das Rheingold (Wagner)
- The Old Maid, The Old Maid and the Thief (Menotti)
- The Witch, Hansel and Gretel (Engelbert Humperdinck)
Read more about this topic: Lois Mc Donall
Famous quotes containing the words operatic and/or roles:
“Even an extraordinary policeman seems a strange suitor for an operatic soprano. Does he sing?”
—Eric Taylor, and Leroux. Arthur Lubin. M. Villeneuve (Frank Puglia)
“Productive collaborations between family and school, therefore, will demand that parents and teachers recognize the critical importance of each other’s participation in the life of the child. This mutuality of knowledge, understanding, and empathy comes not only with a recognition of the child as the central purpose for the collaboration but also with a recognition of the need to maintain roles and relationships with children that are comprehensive, dynamic, and differentiated.”
—Sara Lawrence Lightfoot (20th century)
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