Sources and Influences
For the subject of his play, the author of Locrine drew upon a legendary pseudo-history of the founding of Britain. Just as Virgil, in the Aeneid, credited the founding of Ancient Rome to exiles from a defeated Troy, so later English writers such as William Caxton and Raphael Holinshed, adapting the medieval pseudo-history of the Welsh-Norman author Geoffrey of Monmouth, credited another band of Trojan exiles for the foundation of a British realm. It was this fanciful origin myth, applied to the English rather than the Brythons, that provided the foundation for Locrine (Locrinus in Geoffrey's Historia Regum Britanniae). The author also drew material from the Mirror for Magistrates.
The revenge tragedies of Seneca were a major influence on Locrine. In addition to the poetry of Spenser and Lodge noted above, critics have pointed to links with the contemporary dramas of Christopher Marlowe, Thomas Kyd, Robert Greene and George Peele. Links with contemporary plays and playwrights can be, and have been, variously interpreted as evidence of influence or evidence of common authorship.
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