Lockjaw (comics) - Fictional Character Biography

Fictional Character Biography

Lockjaw was born on the island of Attilan, formerly in the Atlantic Ocean. Lockjaw resembles a giant bulldog and serves in the capacity of the Inhumans' teleporter and escort to the Royal Family of the Inhumans. Many times he has brought Inhumans to Earth and back again. At times, his powers have been manipulated by evil forces, most usually Maximus the Mad.

Lockjaw and the Royal Family encountered Maximus' creation, the Trikon, and were driven from Attilan's Great Refuge in exile.

Lockjaw first appeared as a member of the Inhumans when they attempted to retrieve Medusa from the outside world and take her back to Attilan. This led them into conflict with the Fantastic Four, the first humans they met, who were harboring Medusa after rescuing her from the villainous Frightful Four. Accordingly, Lockjaw is indirectly responsible for revealing the existence of Attilan to the outside world. They returned to Attilan and became trapped in Maximus' "negative zone" barrier around the Great Refuge.

Lockjaw is able to escape and becomes separated from his city. He roams the country for some time, accidentally terrorizing the local citizens, until he meets up with Johnny Storm and Wyatt Wingfoot. He journeyed with the pair in their attempt to breach the "negative zone" barrier. Before long, the Inhumans were freed from the "negative zone" barrier, and Lockjaw transported Crystal to New York, and brought Triton from Attilan to rescue Mister Fantastic. Lockjaw was later compelled to return Crystal to Attilan by Maximus.

With Crystal, Lockjaw was captured by Diablo. They later rescued the injured Quicksilver. Before long, Lockjaw attended the wedding of Quicksilver and Crystal. He also brought the Fantastic Four to Attilan to battle Thraxton.

Read more about this topic:  Lockjaw (comics)

Famous quotes containing the words fictional, character and/or biography:

    One of the proud joys of the man of letters—if that man of letters is an artist—is to feel within himself the power to immortalize at will anything he chooses to immortalize. Insignificant though he may be, he is conscious of possessing a creative divinity. God creates lives; the man of imagination creates fictional lives which may make a profound and as it were more living impression on the world’s memory.
    Edmond De Goncourt (1822–1896)

    Even in harmonious families there is this double life: the group life, which is the one we can observe in our neighbour’s household, and, underneath, another—secret and passionate and intense—which is the real life that stamps the faces and gives character to the voices of our friends. Always in his mind each member of these social units is escaping, running away, trying to break the net which circumstances and his own affections have woven about him.
    Willa Cather (1873–1947)

    As we approached the log house,... the projecting ends of the logs lapping over each other irregularly several feet at the corners gave it a very rich and picturesque look, far removed from the meanness of weather-boards. It was a very spacious, low building, about eighty feet long, with many large apartments ... a style of architecture not described by Vitruvius, I suspect, though possibly hinted at in the biography of Orpheus.
    Henry David Thoreau (1817–1862)