History
The beginning of Locking can be traced to one man, Don Campbell. In the late 1960s he put together several fad dances adding moves of his own (known as the the "Lock") when performing. The original lock was created by accident: Don Campbell couldn't do a move called the 'The Funky Chicken' and stopped at a particular point whilst moving his arms, creating a 'locking' effect. He wasn't able to perform it fluently, for he couldn't remember which step to take next. (Even the acting towards the audience was spontaneous: when people started laughing at Don because of his unfamiliar moves, he responded by pointing at them.) These halts soon became popular as Don added them into his performances. The resulting dance was called Campbellocking, which was later shortened to Locking. In the early 1970s this set off a movement of Locking dance groups, notably Campbell's group The Lockers. Another locker called Jimmy "Scoo B Doo" Foster and Greggory 'Campbellock Jr.' Pope and others set the foundation for locking dance and clothes style.
Clothes style can consist of loud striped socks, pegged pants that stopped at the knees, bright colorful satin shirts with big collars, big colorful bow ties, gigantic Apple Boy hats, and white gloves.
Later locking became part of the growing hip hop dance culture, and has influenced styles such as popping, B-boying and liquidizing. Locking is still quite popular. Dancers are trying to keep it alive.
Read more about this topic: Locking (dance)
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“The principle that human nature, in its psychological aspects, is nothing more than a product of history and given social relations removes all barriers to coercion and manipulation by the powerful.”
—Noam Chomsky (b. 1928)
“History has neither the venerableness of antiquity, nor the freshness of the modern. It does as if it would go to the beginning of things, which natural history might with reason assume to do; but consider the Universal History, and then tell us,—when did burdock and plantain sprout first?”
—Henry David Thoreau (1817–1862)
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nearing its tomb and the pitch of hell.”
—Adonis [Ali Ahmed Said] (b. 1930)