Track Listing Special Edition
| No. | Title | Writer(s) | Producer(s) | Length | |
|---|---|---|---|---|---|
| 1. | "Maldita primavera (Maledetta primavera)" | A. Cassella, G. Savio, Adap. Luis Gómez Escolar | Rafael Trabuchelli | 3:55 | |
| 2. | "Mi timidez" | José Luis Perales | Rafael Trabuchelli | 2:35 | |
| 3. | "Rosas y arcoiris (Roses and rainbows)" | Carole bayer Sager, Marvin Hamlish, Adap. I. Ballesteros | Rafael Trabuchelli | 3:05 | |
| 4. | "Y sólo tú" | Amado Jaén, M. Clipper's | Rafael Trabuchelli | 3:35 | |
| 5. | "Llena de dulzura" | Divaonna, M. Cayre, I. Ballesteros | Rafael Trabuchelli | 2:25 | |
| 6. | "El pequeño panda de Chapultepec" | Laura Gómez Llanos Barraza | Julio Jaramillo | 3:30 | |
| 7. | "Este amor no se toca (Questo amore non si tocca)" | G.C. Bigazzi, G. Bella, Adp. I. Ballesteros | Rafael Trabuchelli | 3:55 | |
| 8. | "Te estoy queriendo tanto" | R. Soficci, Albertelli, Adap. Luis Gómez Escolar | Rafael Trabuchelli | 3:20 | |
| 9. | "Tu y yo" | Marisol Perales, M. Cayre | Rafael Trabuchelli | 2:40 | |
| 10. | "Deja" | José María Napoleón | Julio Jaramillo | 2:55 | |
| 11. | "Amores solitarios (Amoureux solitaries)" | Elli Madeiras, Jacno | Rafael Trabuchelli | 3:35 | |
| 12. | "Menta y limón (Espero despierto la mañana)" | R. Navarro, C. Narea | R. Narvaja, Quiroga | 3:25 |
Read more about this topic: Llena De Dulzura
Famous quotes containing the words track, special and/or edition:
“To most men, experience is like the stern lights of a ship, which illumine only the track it has passed.”
—Samuel Taylor Coleridge (1772–1834)
“Friendship is learned by watching and listening to you. If she sees that your friends are people you like and trust and don’t pretend with—people who suit you—she probably won’t pick friends who just pass by, or people who can help her or improve her status. If you treat friends in a special way, if you are kinder, more generous, more sympathetic, more forgiving with friends, she probably will be, too.”
—Stella Chess (20th century)
“I knew a gentleman who was so good a manager of his time that he would not even lose that small portion of it which the calls of nature obliged him to pass in the necessary-house, but gradually went through all the Latin poets in those moments. He bought, for example, a common edition of Horace, of which he tore off gradually a couple of pages, read them first, and then sent them down as a sacrifice to Cloacina: this was so much time fairly gained.”
—Philip Dormer Stanhope, 4th Earl Chesterfield (1694–1773)