City Bus
The Ljubljana Bus Station, the Ljubljana central bus hub, is located in the immediate vicinity to the Ljubljana railway station. The city bus network, run by the Ljubljana Passenger Transport (LPP) company, is Ljubljana's most used means of public transport. The fleet is relatively modern. The number of dedicated bus lines is limited, which can cause problem in the peak hours when traffic becomes congested. Bus rides may be paid with the Urbana payment card (also used for the funicular) or with a mobile phone. Sometimes, the buses are called trole (referring to trolley poles), harking back to the 1951–71 days when Ljubljana had trolleybus (trolejbus) service. There were five trolleybus lines in Ljubljana, until 1958 alongside the tram. There are numerous taxi companies in the city, but their services have been evaluated as bad.
Another mean of public road transport in the city centre is the Cavalier (Kavalir), an electric vehicle operated by LPP since May 2009. There are two such vehicles in Ljubljana. The ride is free and there are no stations, because it can be stopped anywhere. It can carry up to five passengers; most of them are elderly people and tourists. The Cavalier drives in the car-free zone in the Ljubljana downtown. The first line links Čop Street, Wolf Street and Hribar Embankment, whereas the second links Town Square, Upper Square, and Old Square. There is also a tractor with wagons decorated to look like a train for tourists in Ljubljana, linking Cyril and Methodius Square in the city centre with the Ljubljana Castle.
Famous quotes containing the words city and/or bus:
“I don’t like the city better, the more I see it, but worse. I am ashamed of my eyes that behold it. It is a thousand times meaner than I could have imagined.... The pigs in the street are the most respectable part of the population.”
—Henry David Thoreau (1817–1862)
“An actor rides in a bus or railroad train; he sees a movement and applies it to a new role. A woman in agony of spirit might turn her head just so; a man in deep humiliation probably would wring his hands in such a way. From straws like these, drawn from completely different sources, the fabric of a character may be built. The whole garment in which the actor hides himself is made of small externals of observation fitted to his conception of a role.”
—Eleanor Robson Belmont (1878–1979)