Family
Lizzie has had an unstable and difficult family life her entire existence. As a member of the immensely wealthy Spaulding family, she has gone through a chaotic and somewhat traumatic childhood and adolescence. Though her family wields great influence in Springfield, they have their share of enemies which is arguably justified given her father, uncle and grandfather's misdeeds. Lizzie has also involved herself in a great amount of trouble in her young life leading her to have periods of mental disturbance like her father.
The first-born child of Phillip Spaulding and Beth Raines, Lizzie has a younger brother, James Lemay Spaulding. She also has two younger paternal half-siblings, Alan Cooper "Zach" Spaulding and Emma Spencer-Spaulding. Lizzie also has a sister/Aunt born to Beth and Alan named Peyton Alexandra Raines. A comment by Alan stated that Beth named the child "after that quarterback," a reference to NFL quarterback Peyton Manning. Lizzie has had numerous stepparents in her life. Her stepfather, Jim Lemay, was killed in a fire during Christmas when she was a child after saving her and James' lives. Lizzie was also once close to her former stepmother, Harley Cooper Aitoro (now her aunt), and her former stepsister, Daisy Lemay. She has a daughter, Sarah, with Jonathan, and is currently married to Bill Lewis. The show's finale showed Lizzie asking Sarah to touch her belly, as Lizzie was shown pregnant with Bill's son.
Read more about this topic: Lizzie Spaulding
Famous quotes containing the word family:
“Govern a small family as you would cook a small fish, very gently.”
—(20th century)
“I worry about people who get born nowadays, because they get born into such tiny families—sometimes into no family at all. When you’re the only pea in the pod, your parents are likely to get you confused with the Hope Diamond. And that encourages you to talk too much.”
—Russell Baker (b. 1925)
“With a new familiarity and a flesh-creeping “homeliness” entirely of this unreal, materialistic world, where all “sentiment” is coarsely manufactured and advertised in colossal sickly captions, disguised for the sweet tooth of a monstrous baby called “the Public,” the family as it is, broken up on all hands by the agency of feminist and economic propaganda, reconstitutes itself in the image of the state.”
—Percy Wyndham Lewis (1882–1957)