Characters
Live A Live has a large number of characters. The main character of the prehistoric chapter, Pogo (ポゴ), is a young caveman who has just come of age, who is only capable of saying the word "love." Oboro-maru (おぼろ丸) is a ninja of the Enma with great potential sent on an important mission. Master Xin Shan Quan (心山拳老師, Shinzanken-roushi, Xīn Shān Quán-lǎoshī) is an old kung-fu master seeking to pass on his art before he dies; his three pupils are an obese yet agile man named Sammo Hakka (サモ・ハッカ Samo Hakka), a female bandit named Lei Kuugo (レイ・クウゴ Rei Kuugo), and a boy named Yuan Jou (ユン・ジョウ Yun Jou) who stood up to the local gangsters. The Sundown Kid (サンダウン Sandaun) is a wandering cowboy famous for his skill with a gun. Masaru Takahara (高原 日勝 Takahara Masaru) is a wrestler with the dream of being the strongest fighter in the world who possesses a strong sense of justice. Akira Tadokoro (田所 晃 Tadokoro Akira, アキラ Akira) is an orphan in the near future with psychic powers. Cube (キューブ Kyūbu) is a self-aware robot created by the mechanic Kato (カトゥー Katō) aboard the Cogito Ergosum. Oersted (オルステッド Orusuteddo) is a famous knight in the realm of Lucretia, betrothed to the King's only daughter. Odio, whose name comes from the Latin word for hate, is the Demon King and the main antagonist of the game.
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Famous quotes containing the word characters:
“Hemingway was a prisoner of his style. No one can talk like the characters in Hemingway except the characters in Hemingway. His style in the wildest sense finally killed him.”
—William Burroughs (b. 1914)
“His leanings were strictly lyrical, descriptions of nature and emotions came to him with surprising facility, but on the other hand he had a lot of trouble with routine items, such as, for instance, the opening and closing of doors, or shaking hands when there were numerous characters in a room, and one person or two persons saluted many people.”
—Vladimir Nabokov (1899–1977)
“When the characters are really alive before their author, the latter does nothing but follow them in their action, in their words, in the situations which they suggest to him.”
—Luigi Pirandello (1867–1936)