Film
| Year | Title | Role | Notes |
|---|---|---|---|
| 1975 | The Great Wall of the South China Sea 南海长城 |
Tiannü | |
| 1976 | Thank You, Comrades 同志，感谢你 |
Yang Jie | |
| 1977 | Spring Songs 春歌 |
Li Cuizhi | |
| 1979 | What a Family 瞧这一家子 |
Zhang Lan | Hundred Flowers Award for Best Supporting Actress |
| 1979 | Wedding 婚礼 |
Sheng Min | |
| 1980 | Mysterious Buddha 神秘的大佛 |
Meng Jie | |
| 1980 | The Little Flower 小花 |
He Cuigu, Yongsheng's mother | |
| 1981 | The Savage Land 原野 |
Hua Jinzi | |
| 1981 | The Invisible Web 潜网 |
Luo Xuan | |
| 1981 | Xu Mao and His Daughters 许茂和他的女儿们 |
Xu Zhen | |
| 1982 | Deep at Heart 心灵深处 |
Ouyang Lan | |
| 1983 | The Burning of the Imperial Palace | Empress Dowager Cixi | |
| 1983 | Reign Behind the Curtain 垂帘听政 |
Empress Dowager Cixi | |
| 1984 | Hibiscus Town 芙蓉镇 |
Hu Yuyin | Golden Rooster Award for Best Actress Hundred Flowers Award for Best Actress |
| 1984 | Ormosia from the North 北国红豆 |
Lu Yunzhi | |
| 1984 | San Bao in Shenzhen 三宝闹深圳 |
Manager | |
| 1985 | The Ruthless Lover 无情的情人 |
Namei Qincuo | also producer |
| 1986 | A Wild Field | Hua Jinzi | Hundred Flowers Award for Best Actress |
| 1987 | Chuntao 春桃 |
Chuntao | Hundred Flowers Award for Best Actress |
| 1987 | The Imperial Cannon Team 大清炮队 |
Feng Yushu | also producer |
| 1988 | A Dream of Red Mansions (parts 1 & 2) 红楼梦 |
Wang Xifeng | |
| 1989 | A Dream of Red Mansions (parts 3-6) 红楼梦 |
Wang Xifeng | |
| 1989 | The Empress Dowager 一代妖后 |
Empress Dowager Cixi | also titled Xi Taihou (西太后) |
| 1991 | Li Lianying: The Imperial Eunuch 大太监李莲英 |
Empress Dowager Cixi | |
| 2004 | Plastic Flower 春花开 |
Xie Chunhua | |
| 2010 | Rang Ai Huijia 让爱回家 |
Female cop | |
| 2011 | Legendary Amazons 杨门女将之军令如山 |
Princess Chai | |
| 2012 | 37 | ||
| 2012 | The Monkey King: Uproar in Heaven |
Read more about this topic: Liu Xiaoqing, Filmography
Famous quotes containing the word film:
“I’ll be right here.”
—Melissa Mathison, U.S. screenwriter, and Steven Spielberg. ET, ET The Extra-Terrestrial, saying goodbye to Elliot as he touches Elliot’s forehead—ET’s final words in the film (1982)
“If you want to tell the untold stories, if you want to give voice to the voiceless, you’ve got to find a language. Which goes for film as well as prose, for documentary as well as autobiography. Use the wrong language, and you’re dumb and blind.”
—Salman Rushdie (b. 1948)
“This film is apparently meaningless, but if it has any meaning it is doubtless objectionable.”
—British Board Of Film Censors. Quoted in Halliwell’s Filmgoer’s Companion (1984)