Film
| Year | Title | Role | Notes |
|---|---|---|---|
| 1975 | The Great Wall of the South China Sea 南海长城 |
Tiannü | |
| 1976 | Thank You, Comrades 同志，感谢你 |
Yang Jie | |
| 1977 | Spring Songs 春歌 |
Li Cuizhi | |
| 1979 | What a Family 瞧这一家子 |
Zhang Lan | Hundred Flowers Award for Best Supporting Actress |
| 1979 | Wedding 婚礼 |
Sheng Min | |
| 1980 | Mysterious Buddha 神秘的大佛 |
Meng Jie | |
| 1980 | The Little Flower 小花 |
He Cuigu, Yongsheng's mother | |
| 1981 | The Savage Land 原野 |
Hua Jinzi | |
| 1981 | The Invisible Web 潜网 |
Luo Xuan | |
| 1981 | Xu Mao and His Daughters 许茂和他的女儿们 |
Xu Zhen | |
| 1982 | Deep at Heart 心灵深处 |
Ouyang Lan | |
| 1983 | The Burning of the Imperial Palace | Empress Dowager Cixi | |
| 1983 | Reign Behind the Curtain 垂帘听政 |
Empress Dowager Cixi | |
| 1984 | Hibiscus Town 芙蓉镇 |
Hu Yuyin | Golden Rooster Award for Best Actress Hundred Flowers Award for Best Actress |
| 1984 | Ormosia from the North 北国红豆 |
Lu Yunzhi | |
| 1984 | San Bao in Shenzhen 三宝闹深圳 |
Manager | |
| 1985 | The Ruthless Lover 无情的情人 |
Namei Qincuo | also producer |
| 1986 | A Wild Field | Hua Jinzi | Hundred Flowers Award for Best Actress |
| 1987 | Chuntao 春桃 |
Chuntao | Hundred Flowers Award for Best Actress |
| 1987 | The Imperial Cannon Team 大清炮队 |
Feng Yushu | also producer |
| 1988 | A Dream of Red Mansions (parts 1 & 2) 红楼梦 |
Wang Xifeng | |
| 1989 | A Dream of Red Mansions (parts 3-6) 红楼梦 |
Wang Xifeng | |
| 1989 | The Empress Dowager 一代妖后 |
Empress Dowager Cixi | also titled Xi Taihou (西太后) |
| 1991 | Li Lianying: The Imperial Eunuch 大太监李莲英 |
Empress Dowager Cixi | |
| 2004 | Plastic Flower 春花开 |
Xie Chunhua | |
| 2010 | Rang Ai Huijia 让爱回家 |
Female cop | |
| 2011 | Legendary Amazons 杨门女将之军令如山 |
Princess Chai | |
| 2012 | 37 | ||
| 2012 | The Monkey King: Uproar in Heaven |
Read more about this topic: Liu Xiaoqing, Filmography
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Famous quotes containing the word film:
“Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
—David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)
“The average Hollywood film star’s ambition is to be admired by an American, courted by an Italian, married to an Englishman and have a French boyfriend.”
—Katharine Hepburn (b. 1909)
“You should look straight at a film; that’s the only way to see one. Film is not the art of scholars but of illiterates.”
—Werner Herzog (b. 1942)