Film
| Year | Title | Role | Notes |
|---|---|---|---|
| 1975 | The Great Wall of the South China Sea 南海长城 |
Tiannü | |
| 1976 | Thank You, Comrades 同志，感谢你 |
Yang Jie | |
| 1977 | Spring Songs 春歌 |
Li Cuizhi | |
| 1979 | What a Family 瞧这一家子 |
Zhang Lan | Hundred Flowers Award for Best Supporting Actress |
| 1979 | Wedding 婚礼 |
Sheng Min | |
| 1980 | Mysterious Buddha 神秘的大佛 |
Meng Jie | |
| 1980 | The Little Flower 小花 |
He Cuigu, Yongsheng's mother | |
| 1981 | The Savage Land 原野 |
Hua Jinzi | |
| 1981 | The Invisible Web 潜网 |
Luo Xuan | |
| 1981 | Xu Mao and His Daughters 许茂和他的女儿们 |
Xu Zhen | |
| 1982 | Deep at Heart 心灵深处 |
Ouyang Lan | |
| 1983 | The Burning of the Imperial Palace | Empress Dowager Cixi | |
| 1983 | Reign Behind the Curtain 垂帘听政 |
Empress Dowager Cixi | |
| 1984 | Hibiscus Town 芙蓉镇 |
Hu Yuyin | Golden Rooster Award for Best Actress Hundred Flowers Award for Best Actress |
| 1984 | Ormosia from the North 北国红豆 |
Lu Yunzhi | |
| 1984 | San Bao in Shenzhen 三宝闹深圳 |
Manager | |
| 1985 | The Ruthless Lover 无情的情人 |
Namei Qincuo | also producer |
| 1986 | A Wild Field | Hua Jinzi | Hundred Flowers Award for Best Actress |
| 1987 | Chuntao 春桃 |
Chuntao | Hundred Flowers Award for Best Actress |
| 1987 | The Imperial Cannon Team 大清炮队 |
Feng Yushu | also producer |
| 1988 | A Dream of Red Mansions (parts 1 & 2) 红楼梦 |
Wang Xifeng | |
| 1989 | A Dream of Red Mansions (parts 3-6) 红楼梦 |
Wang Xifeng | |
| 1989 | The Empress Dowager 一代妖后 |
Empress Dowager Cixi | also titled Xi Taihou (西太后) |
| 1991 | Li Lianying: The Imperial Eunuch 大太监李莲英 |
Empress Dowager Cixi | |
| 2004 | Plastic Flower 春花开 |
Xie Chunhua | |
| 2010 | Rang Ai Huijia 让爱回家 |
Female cop | |
| 2011 | Legendary Amazons 杨门女将之军令如山 |
Princess Chai | |
| 2012 | 37 | ||
| 2012 | The Monkey King: Uproar in Heaven |
Read more about this topic: Liu Xiaoqing, Filmography
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“I think of horror films as art, as films of confrontation. Films that make you confront aspects of your own life that are difficult to face. Just because you’re making a horror film doesn’t mean you can’t make an artful film.”
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“This film is apparently meaningless, but if it has any meaning it is doubtless objectionable.”
—British Board Of Film Censors. Quoted in Halliwell’s Filmgoer’s Companion (1984)
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—V.S. (Vidiadhar Surajprasad)