Musical Annotation
The hymnographers of the early Church composed both the words of the sung prayers and the tones of the musical scale to be sung in a single codex for a particular community. The annotation was recorded in close correspondence to the text (for sample codices, see those collated by the North American Greek Orthodox Monastery of St. Anthony in Arizona) with neumes indicating the melodic tones and their duration used before the adoption of the Western system of staff and scales became established in medieval times. In those communities that worship in Syriac the neumes are mirror images of those used by the authocthonous Greek and Cyrillic Orthodox Churches and written and read right to left in accordance with the Arabic script of the prayer texts.
The English Hymnal features the 1906 Ralph Vaughan Williams arrangement of the English verses of the Cherubic hymn of the Offertory chant (see above) to the melody of a French folk tune Picardy. The hymn is also popular in the Roman Catholic Latin rite as an alternative to the spoken communion antiphon.
Read more about this topic: Liturgy Of St James
Famous quotes containing the word musical:
“Then, bringing me the joy we feel when wee see a work by our favorite painter which differs from any other that we know, or if we are led before a painting of which we have until then only seen a pencil sketch, if a musical piece heard only on the piano appears before us clothed in the colors of the orchestra, my grandfather called me the [hawthorn] hedge at Tansonville, saying, “You who are so fond of hawthorns, look at this pink thorn, isn’t it lovely?””
—Marcel Proust (1871–1922)