Plot
The series focuses on the Muslim community in the fictional prairie town of Mercy, Saskatchewan (population 14,000). The primary institutions of the community are the local mosque, presided over by imam Amaar Rashid and located in the rented parish hall of the town's Anglican church, and Fatima's Café, a downtown diner run by Fatima Dinssa. The community patriarchs are Yasir Hamoudi, a construction contractor who originally fronted the money to establish the mosque under the pretense that he was renting office space for his business, and Baber Siddiqui, a college economics professor who served as the mosque's temporary imam until Amaar was hired.
The town of Mercy is governed by Mayor Ann Popowicz. Sarah Hamoudi, Yasir's wife, works as a public relations officer in Popowicz's office. However, since Yasir had to leave Mercy and go to Lebanon, Sarah manages his contracting company.
The title is a paraphrase of the classic American book and TV drama series, Little House on the Prairie. The two series are not related aside from the modified version of the title logo which was used for early seasons.
Read more about this topic: Little Mosque On The Prairie
Famous quotes containing the word plot:
“We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. The king died and then the queen died is a story. The king died, and then the queen died of grief is a plot. The time sequence is preserved, but the sense of causality overshadows it.”
—E.M. (Edward Morgan)
“After I discovered the real life of mothers bore little resemblance to the plot outlined in most of the books and articles Id read, I started relying on the expert advice of other mothersespecially those with sons a few years older than mine. This great body of knowledge is essentially an oral history, because anyone engaged in motherhood on a daily basis has no time to write an advice book about it.”
—Mary Kay Blakely (20th century)
“Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.”
—Jane Rule (b. 1931)