Plot
is an orphan who has had many foster families, but none of them have worked out. He is currently living with a foster mother in the suburbs of a city. They don't get on well, and at school Billy is not good at subjects, especially English (he cannot read out loud because he has a stutter). One night, Billy tries to run away, and runs into the nearby abandoned land where there are the ruins of a monastery. There is plentiful wildlife living in this place that everyone calls "The Waste Ground". Billy fathers four orphaned foxes and develops a relationship with a swan, too. However Billy's secret place is found out and the fox family is gassed by the local council. But one survivesBilly decides that his life is becoming a little better - he has found some animal friends and has lost his stutter. He returns to his foster home, but this doesn't last, and eventually he runs away with one of the young foxes (the other three were gassed by the local council), and goes on many adventures. At the end he lets the swan fly away freely. On these adventures, he meets a man who has a boat and cares for all the birds around the river. The man says that Billy can stay with him on his boat as they are going in the same direction. Eventually, Billy shoots above the foxes head and the fox runs away, never to return. Billy and the man then return to his home, where is adopted by the man and his wife.
Read more about this topic: Little Foxes
Famous quotes containing the word plot:
“After I discovered the real life of mothers bore little resemblance to the plot outlined in most of the books and articles I’d read, I started relying on the expert advice of other mothers—especially those with sons a few years older than mine. This great body of knowledge is essentially an oral history, because anyone engaged in motherhood on a daily basis has no time to write an advice book about it.”
—Mary Kay Blakely (20th century)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)
“But, when to Sin our byast Nature leans,
The careful Devil is still at hand with means;
And providently Pimps for ill desires:
The Good Old Cause, reviv’d, a Plot requires,
Plots, true or false, are necessary things,
To raise up Common-wealths and ruine Kings.”
—John Dryden (1631–1700)