Numbering and Naming Conventions
After discovery, asteroids generally receive a provisional designation (such as "1989 AC"), then a number (such as 4179), and finally (optionally) a name (such as "Toutatis"), in that order.
In modern times, an asteroid receives a sequential number only after its orbit is precisely known. Asteroids whose orbits are not (yet) precisely known are known by their provisional designation. This rule was not necessarily followed in earlier times, and some asteroids received a number but were subsequently "lost". All of these have now been recovered; the last "lost" numbered asteroid was 719 Albert.
Only after a number is assigned is the asteroid eligible to receive a name. Usually the discoverer has up to 10 years to pick a name; some asteroids remain unnamed. Especially towards the end of the twentieth century, with large-scale automated asteroid discovery programs such as LINEAR, the pace of discoveries has increased so much that it seems likely that the vast majority of minor planets will never receive names.
For the reasons mentioned above, the sequence of numbers only approximately matches the timeline of discovery. In extreme cases, such as "lost" asteroids, there may be a considerable mismatch: for instance the high-numbered 69230 Hermes was originally discovered in 1937, but it was a lost asteroid until 2003. Only after it was rediscovered could its orbit be established and a number assigned.
Read more about this topic: Lists Of Minor Planets
Famous quotes containing the words numbering, naming and/or conventions:
“The task he undertakes
Is numbering sands and drinking oceans dry.”
—William Shakespeare (1564–1616)
“The night is itself sleep
And what goes on in it, the naming of the wind,
Our notes to each other, always repeated, always the same.”
—John Ashbery (b. 1927)
“Art, it seems to me, should simplify. That, indeed, is very nearly the whole of the higher artistic process; finding what conventions of form and what detail one can do without and yet preserve the spirit of the whole—so that all that one has suppressed and cut away is there to the reader’s consciousness as much as if it were in type on the page.”
—Willa Cather (1873–1947)