Works in the Palatine Gallery at the Palazzo Pitti in Florence, Italy include:
- Raphael, Madonna of the Grand Duke
- Raphael, The Madonna of the Chair
- Raphael, Portrait of Pope Leo X and two Cardinals
- Raphael, companion portraits of Agnolo Doni and his wife, Maddelena Doni, for whom Michelangelo's Doni Tondo was commissioned.
- Andrea del Sarto, The Young John the Baptist
- Andrea del Sarto, Disputation on the Holy Trinity
- Sebastiano del Piombo, Martyrdom of St Agatha
- Titian, Mary Magdalene
- Titian, Portrait of Pietro Aretino
- Titian, Portrait of an Englishman, perhaps a member of the Howard family, (also known as The Man with Blue Eyes).
- Murillo, Madonna and Child
- Rubens, a group portrait known as The four Philosophers
- Rubens, Allegory of War
- Caravaggio, The sleeping Cupid
- Artemisia Gentileschi, Judith
- Parmigianino, Madonna with the long neck
- Anthony van Dyck, Portrait of Cardinal Guido Bentivoglio
- Velázquez, Philip IV of Spain on Horseback
Famous quotes containing the words list of, list, works and/or gallery:
“The advice of their elders to young men is very apt to be as unreal as a list of the hundred best books.”
—Oliver Wendell Holmes, Jr. (1841–1935)
“Thirty—the promise of a decade of loneliness, a thinning list of single men to know, a thinning brief-case of enthusiasm, thinning hair.”
—F. Scott Fitzgerald (1896–1940)
“We all agree now—by “we” I mean intelligent people under sixty—that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.”
—Clive Bell (1881–1962)
“I should like to have seen a gallery of coronation beauties, at Westminster Abbey, confronted for a moment by this band of Island girls; their stiffness, formality, and affectation contrasted with the artless vivacity and unconcealed natural graces of these savage maidens. It would be the Venus de’ Medici placed beside a milliner’s doll.”
—Herman Melville (1819–1891)