Image
(sort by size of the original) |
Details
(sort by title) |
Attribution status and notes |
Dating
(sort by earliest) |
| 7004212660000000000
|
Annunciation
- The Annunciation
- Oil and tempera on poplar panel
- 98 × 217 cm
- Florence, Uffizi
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7000200000000000000
- Generally accepted
- Generally thought to be the earliest extant work by Leonardo. The work was traditionally attributed to Verrocchio until 1869. It is now almost universally attributed to Leonardo. Attribution proposed by Liphart, accepted by Bode, Lubke, Muller-Walde, Berenson, Clark, Goldscheider and others.
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7000100000000000000
- c. 1473–4 (Kemp 2011)
- c. 1472–6 (Syson 2011)
- c. 1473–5 (Zöllner 2011)
- c. 1472–5, probably 1473–4 (Marani 2000)
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| 7004267270000000000
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Baptism of Christ
- The Baptism of Christ
- Oil and tempera on poplar panel
- 177 × 151 cm
- Florence, Uffizi
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7000400000000000000
- Verrocchio and Leonardo
- Painted by Andrea del Verrocchio, with the angel on the left-hand side by Leonardo. It is generally considered that Leonardo also painted much of the background landscape and the torso of Christ. One of Leonardo's earliest extant works. Vasari's statement that the angel on the left is by Leonardo is confirmed by studies by Bode, Seidlitz and Guthman, and accepted by McCurdy, Wasserman and others.
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7000400000000000000
- c. 1476 (Kemp 2011)
- c. 1470–2 and c. 1475 (Zöllner 2011)
- probably 1475–8 (Marani 2000)
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| 7003294500000000000
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Madonna of the Carnation
- Madonna of the Carnation
- Tempera (?) and oil on poplar panel
- 62 × 47.5 cm
- Munich, Alte Pinakothek
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7000400000000000000
- Generally accepted
- It is generally accepted as a Leonardo, but has some overpainting possibly by a Flemish artist.
|
7000300000000000000
- c. 1475–6 (Kemp 2011)
- c. 1477–8 (Syson 2011)
- c. 1472–8 (?) (Zöllner 2011)
- between 1473 and 1478 (Marani 2000)
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| 7003142400000000000
|
Ginevra de' Benci
- Ginevra de' Benci
- Oil and tempera on poplar panel
- 38.8 × 36.7 cm, 15.3 × 14.4 in
- Washington, D.C., National Gallery of Art
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7000300000000000000
- Generally accepted
- The work was proposed as a Leonardo by Waagen in 1866, and supported by Bode. Early 20th-century scholars were vociferous in their disagreement, but most current critics accept both the authorship and the identity of the sitter.
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7000200000000000000
- c. 1476–8 (Kemp 2011)
- c. 1474 / 1478 (Syson 2011)
- c. 1478–80 (Zöllner 2011)
- c. 1474 / 1475–6 (Marani 2000)
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| 7003163400000000000
|
Benois Madonna
- Benois Madonna
- Oil on wood panel, transferred to canvas
- 49.5 × 33 cm
- St Petersburg, Hermitage
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7000400000000000000
- Generally accepted
- Most critics believe that it coincides with a Madonna mentioned by Leonardo in 1478.
|
7000500000000000000
- c. 1479–80 (Kemp 2011)
- c. 1481 onwards (Syson 2011)
- c. 1478–80 (Zöllner 2011)
- probably after March 1481 (Marani 2000)
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| 7004600000000000000
|
Adoration of the Magi
- The Adoration of the Magi (unfinished)
- Oil (underpainting) on wood panel
- 240 × 250 cm, 96 × 97 in
- Florence, Uffizi
|
7000100000000000000
- Universally accepted
|
7000600000000000000
- c. 1479–81 (Kemp 2011)
- c. 1480–2 (Syson 2011)
- 1481/2 (Zöllner 2011)
- 1481 (Marani 2000)
|
| 7003772500000000000
|
S. Jerome in the Wilderness
- St. Jerome in the Wilderness (unfinished)
- Tempera and oil on walnut panel
- 103 × 75 cm, 41 × 30 in
- Vatican Museums
|
7000100000000000000
- Universally accepted
|
7000700000000000000
- c. 1480–2 (Kemp 2011)
- c. 1488–90 (Syson 2011)
- c. 1480–2 (Zöllner 2011)
- probably c. 1480 (Marani 2000)
|
| 7003138600000000000
|
Madonna Litta
- Madonna Litta
- Tempera (and oil?) on poplar panel
- 42 × 33 cm
- St Petersburg, Hermitage
|
7000700000000000000
- Leonardo and another artist?
|
7000800000000000000
- c. 1481–97 (Kemp 2011)
- c. 1491–5 (Syson 2011)
- c. 1490 (Zöllner 2011)
- not in checklist of Marani 2000
|
| 7004242780000000000
|
Virgin of the Rocks
- Virgin of the Rocks (Louvre Version)
- Oil on wood panel, transferred to canvas
- 199 × 122 cm, 78.3 × 48.0 in
- Paris, Louvre
|
7000100000000000000
- Universally accepted
- Considered by most historians to be the earlier of the two versions.
|
7000900000000000000
- 1483–c. 1490 (Kemp 2011)
- 1483–c. 1485 (Syson 2011)
- 1483–1484/5 (Zöllner 2011)
- between 1483 and 1486 (Marani 2000)
|
| 7003144000000000000
|
Portrait of a Musician
- Portrait of a Musician (unfinished)
- Tempera and oil on walnut (?) panel
- 45 × 32 cm
- Milan, Pinacoteca Ambrosiana
|
7000600000000000000
- Generally accepted
|
7001100000000000000
- c. 1485 (Kemp 2011)
- c. 1486–7 (Syson 2011)
- c. 1485 (Zöllner 2011)
- probably c. 1485 (Marani 2000)
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| 7003210600000000000
|
Lady with an Ermine
- Lady with an Ermine
- Oil on walnut panel
- 54 × 39 cm
- Kraków, Czartoryski Museum
|
7000300000000000000
- Generally accepted
- First published as a Leonardo in 1889 and subject to wide disagreement, but now generally accepted. The attribution of the "Ginevra de' Benci" has supported the attribution of this painting. The subject has been identified as Cecilia Gallerani.
|
7001110000000000000
- c. 1490 (Kemp 2011)
- c. 1489–90 (Syson 2011)
- 1489/1490 (Zöllner 2011)
- 1489–90 (Marani 2000)
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| 7004227400000000000
|
Virgin of the Rocks
- Virgin of the Rocks
- Oil on parqueted poplar panel
- 189.5 × 120 cm, 74.6 × 47.25 in
- London, National Gallery
|
7000400000000000000
- Generally accepted
- Generally accepted as postdating the version in the Louvre, with collaboration of Ambrogio de Predis' and perhaps others. Some consider the work of Leonardo's workshop under his direction. The date is not universally agreed.
|
7001120000000000000
- c. 1495–1508 (Kemp 2011)
- c. 1491/2–9 and 1506–8 (Syson 2011)
- c. 1495–9 and 1506–8 (Zöllner 2011)
- 1491 / 1494, finished by 1508 (Marani 2000)
|
| 7005404800000000000
|
Last Supper
- The Last Supper
- Tempera on gesso, pitch and mastic
- 460 × 880 cm, 181 × 346 in
- Milan, Convent of Santa Maria delle Grazie
|
7000100000000000000
- Universally accepted
- On 9 February 1498 Luca Pacioli described the mural as being complete.
|
7001130000000000000
- c. 1495–8 (Kemp 2011)
- 1492–7/8 (Syson 2011)
- c. 1495–8 (Zöllner 2011)
- between 1494 and 1498 (Marani 2000)
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| 7003272800000000000
|
Belle ferronnière
- La belle ferronnière
- Oil on walnut panel
- 62 × 44 cm
- Paris, Louvre
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7000600000000000000
- Generally accepted
|
7001140000000000000
- c. 1496–7 (Kemp 2011)
- c. 1493–4 (Syson 2011)
- c. 1496–7 (Zöllner 2011)
- c. 1490–5 or 1495–6 (Marani 2000)
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| 7005500000000000000
|
Sala delle Asse
- Sala delle Asse decoration
- Tempera on plaster
- Milan, Castello Sforzesco
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7000800000000000000
- Designed by Leonardo
|
7001150000000000000
- c. 1498–9 (Kemp 2011)
- c. 1498 (Syson 2011)
- c. 1498–9 (Zöllner 2011)
- c. 1497–8 (Marani 2000)
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| 7004149100000000000
|
Virgin and Child with St Anne and St John the Baptist
- The Virgin and Child with St Anne and St John the Baptist
- Charcoal, black and white chalk on tinted paper, mounted on canvas
- 142 × 105 cm, 55.7 × 41.2 in
- London, National Gallery
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7000100000000000000
- Universally accepted
|
7001160000000000000
- c. 1499–1500 (Syson 2011)
- 1499–1500 or c. 1508 (?) (Zöllner 2011)
- c. 1506–8 (Chapman & Faietti 2010)
- c. 1508 (Kemp 2006)
- Italian scholars: c. 1501–5; Pedretti and Anglo-Saxon scholars: 1506–8, but Wassermann: 1499 (Marani 2000)
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| 7003289800000000000
|
Portrait of Isabella d'Este
- Portrait of Isabella d'Este
- Black and red chalk, yellow pastel chalk on paper
- 63 × 46 cm
- Paris, Louvre
|
7000100000000000000
- Universally accepted
|
7001170000000000000
- c. 1499–1500 (Syson 2011)
- December 1499 – March 1500 (?) (Zöllner 2011)
- end of 1499 / early 1500 (Marani 2000)
|
| 7003179952000000000
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Madonna of the Yarnwinder
- The Madonna of the Yarnwinder (The Buccleuch Madonna)
- Oil on walnut panel
- 48.9 × 36.8 cm
- Edinburgh, Scottish National Gallery (on long-term loan from the Buccleuch collection)
|
- Leonardo and another artist?
- Leonardo was documented as working on a painting of this subject in Florence in 1501; it appears to have been delivered to its patron in 1507. This and the Lansdowne Madonna are the most likely candidates for being that work, but neither is considered to be wholly autograph. Scientific examination has revealed "strikingly complex and similar" underdrawings in both versions, suggesting that Leonardo was involved in the making of both.
- The use of walnut wood suggests the earlier terminus post quem of 1499, as Leonardo's Milanese paintings are on this support.
|
7001180000000000000
- c. 1501–7 (Kemp 2011)
- c. 1499 onwards (Syson 2011)
- 1501–7 (Zöllner 2011)
- no date in Marani 2000
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| 7003182728000000000
|
Madonna of the Yarnwinder
- The Madonna of the Yarnwinder (The Lansdowne Madonna)
- Oil on wood panel (transferred to canvas and later re-laid on panel)
- 50.2 × 36.4 cm
- United States, private collection
|
- Underdrawing by Leonardo?
|
7001180000000000000
- c. 1501–7 (Kemp 2011)
- c. 1501–7 (?) (Zöllner 2011)
- no date in Marani 2000
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| 7003297824000000000
|
Salvator Mundi
- Salvator Mundi
- Oil on wood panel
- 45.4 cm × 65.6 cm, 25.8 in × 17.9 in
- New York City, private collection
|
7000400000000000000
- Generally accepted
- Discovered to be Leonardo's lost painting, rather than a later copy, during restoration in the 2000s. Pentimenti (changes to the composition which would only be found in an original work, rather than a copy) were found in the thumb of Christ's right hand and elsewhere.
|
7001180000000000000
- c. 1504–7 (Kemp 2011)
- c. 1499 onwards (Syson 2011)
- c. 1495–7? (Marani 2000, when thought lost)
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| 7004188160000000000
|
Virgin and Child with St. Anne
- The Virgin and Child with St. Anne
- Oil on wood panel
- 168 × 112 cm, 66.1 × 44.1 in
- Paris, Louvre
|
7000100000000000000
- Universally accepted
|
7001190000000000000
- c. 1508–17 (Kemp 2011)
- c. 1501 onwards (Syson 2011)
- c. 1510–3 (Marani 2000)
|
| 7003407000000000000
|
Mona Lisa
- Mona Lisa
- Oil on cottonwood (poplar) panel
- 76.8 × 53.0 cm, 30.2 × 20.9 in
- Paris, Louvre
|
7000100000000000000
- Universally accepted
|
7001200000000000000
- c. 1503–16 (Kemp 2011)
- c. 1502 onwards (Syson 2011)
- 1503–6 and later (1510?) (Zöllner 2011)
- probably begun c. 1503–4, finished by 1513–4 (Marani 2000)
|
| 7002518000000000000
|
Head of a Woman
- Head of a Woman or La Scapigliata
- Earth, amber and white lead on wood panel
- 24.7 × 21 cm
- Parma, Galleria Nazionale
|
7000100000000000000
- Universally accepted
|
7001200000000000000
- c. 1508 (Marani 2000)
- not in checklist of Kemp 2011 or Zöllner 2011
|
| 7003393300000000000
|
St. John the Baptist
- St. John the Baptist
- Oil on walnut panel
- 69 × 57 cm, 27.2 × 22.4 in
- Paris, Louvre
|
7000400000000000000
- Generally accepted
- "Anonimo Gaddiano" wrote that Leonardo painted a St. John. This is generally considered Leonardo's last masterpiece.
|
7001210000000000000
- c. 1508–16 (Kemp 2011)
- c. 1508–16 (Zöllner 2011)
- c. 1508 (Marani 2000)
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