Paintings
| Hannibal the Conqueror | 1770 | ||||
| Martin Zapater | 1770 | ||||
| The Adoration of the Name of God | 1772 | Basílica de Nuestra Señora del Pilar, Zaragoza | |||
| Frescoes in the Cartuja de Aula Dei | 1774 | Charterhouse of Aula Dei | |||
| Tapestry Cartoons | 1775–92 | ||||
| The Parasol | 1777 | Museo del Prado, Madrid | |||
| Blind Guitarist | 1778 | ||||
| La nevada | 1780 | ||||
| Winter (The Snowstorm) | 1780 | ||||
| Crucified Christ | 1780 | Prado, Madrid | |||
| The Queen of Martyrs | 1780–81 | Basílica de Nuestra Señora del Pilar | |||
| St. Bernardino of Siena | 1782–83 | San Francisco el Grande, Madrid | |||
| Family of Infante Don Luis | 1783 | ||||
| Maria Teresa de Borbon y Vallabriga | 1783 | Museo del Prado Madrid | |||
| The Count of Floridablanca and Goya | 1783 | Banco Urquijo, Madrid | |||
| Sermon of Saint Bernardino of Siena | 1784 | ||||
| Portrait of Don Manuel Osorio de Manrique Zuniga | 1784–1788 | ||||
| The Annunciation | 1785 | private collection, Spain | |||
| The Marquesa de Pontejos | c. 1786 | National Gallery of Art, Washington, D.C. | |||
| Spring (or The Flower Girls) | 1786–87 | ||||
| The Forge | 1786–1787 | ||||
| The Swing | 1787 | ||||
| St Francis Borgia at the Deathbed of an Impenitent | 1788 | ||||
| Family of the Duke of Osuna | 1788 | Prado | |||
| Manuel Osorio de Zúñiga | 1788 | Metropolitan Museum of Art, New York City | |||
| Self-portrait | c. 1790–95 | ||||
| Josefa Bayeu | 1790–1815 | ||||
| Little Giants | 1791–92 | ||||
| Portrait of Mariana Waldstein | c. 1792 | ||||
| Strolling Players | 1793 | ||||
| Fire | 1793–1794 | ||||
| Yard with Lunatics | 1793–94 | Meadows Museum, Dallas, Texas | |||
| The Madhouse | 1794 | Virginia Meadows Museum and Elizabeth Meadows Sculpture Court, Dallas, Texas | |||
| The Marquesa de la Solana | c. 1794–95 | Louvre, Paris | |||
| Duchess of Alba | 1795 | ||||
| Duchess of Alba & Her Duenna | 1795 | ||||
| "White" Portrait | 1795 | ||||
| Portrait of the Matador Pedro Romero | c. 1795–98 | Kimbell Art Museum | |||
| Self-Portrait on Linen | 1795–1797 | ||||
| "Black" Portrait | 1797 | ||||
| Duchess of Alba | 1797 | ||||
| Duchess of Alba | 1797 | Hispanic Society of America, New York City | |||
| Que se la llevaron! | 1797–98 | ||||
| What a sacrifice! | 1797–98 | ||||
| The Sleep of Reason Produces Monsters | 1797–98 | ||||
| They say yes and give their hand to the first comer | 1797–98 | ||||
| You who cannot | 1797–98 | ||||
| Self-Portrait with Spectacles | 1797–1800 | ||||
| Miracle of St. Antony | 1798 | ||||
| The Taking of Christ | 1798 | Cathedral, Toledo | |||
| Ferdinand Guillemardet | 1798 | Louvre | |||
| A Miracle of St. Anthony of Padua” and other scenes | 1798 | San Antonio de la Florida, Madrid | |||
| Witches Sabbath (1798) | |||||
| Queen Maria Luisa, on Horseback | 1799 | Prado | |||
| La Tirana (Goya) | 1799 | Academy of San Fernando, Madrid | |||
| Countess of Chinchon | 1800 | ||||
| La maja desnuda | |||||
| Charles IV of Spain and His Family | 1800–1801 | Prado | |||
| La maja vestida | c. 1800–05 | Prado | |||
| Bartolome Sureda y Miserol | c. 1803–04 | National Gallery, Washington D.C | |||
| Isabel de Porcel | 1804–05 | ||||
| Francisca Sabasa y Garcia | 1804–1808 | National Gallery, Washington D.C | |||
| Doña Teresa Sureda | c. 1805 | ||||
| Young Woman with a Fan | 1805–1810 | ||||
| Portrait of Doña Isabel de Porcel | c. 1806 | National Gallery, London | |||
| The Colossus | c. 1808–12 | Prado | |||
| Majas on a Balcony | c. 1808–12 | ||||
| Time and the Old Women | c. 1810–12 | Musée des Beaux-Arts, Lille, Fr. | |||
| General Manuel Romero | c. 1810 | private collection, Chicago | |||
| Time (Goya) | 1810 | ||||
| Contra el bien general | c. 1810 | ||||
| Allegory of the City of Madrid | 1810 | Casa del Ayuntamiento, Madrid | |||
| Time | c. 1810–12 | ||||
| Majas on a Balcony | 1810–1812 | Metropolitan Museum version | |||
| The Duke of Wellington | 1812–14 | National Gallery, London | |||
| Prison Interior | c. 1810–14 | Bowes Museum | |||
| Actress Antonia Zarate | c. 1811 | Hermitage, St. Petersburg | |||
| Dead Turkey | 1812 | ||||
| The Burial of the Sardine | 1812–1819 | Real Academia de Bellas Artes de San Fernando, Madrid | |||
| The Majas on the Balcony | c. 1812 | Metropolitan Museum of Art | |||
| This is worse | c. 1812–13 | ||||
| Mariano Goya | c. 1812–14 | private collection, Madrid | |||
| Portrait of Rita Moon Luna | 1814 | ||||
| Ferdinand VII in an Encampment | c. 1814 | Prado | |||
| The Second of May 1808 | 1814 | Prado | |||
| The Third of May 1808 | 1814 | Prado | |||
| Young Women with a Letter | c. 1814–18 | Musée des Beaux-Arts, Lille | |||
| May the rope break! | c. 1815 | ||||
| Self-Portrait | 1815 | Academy of San Fernando | |||
| Unfortunate events in the front seats of the ring of Madrid, and the death of the Mayor of Torrejon | 1815–16 | ||||
| La Tauromaquia | 1815–1816 | ||||
| Burial of the Sardine (sketch) | c. 1816 | ||||
| Inquisition Scene | c. 1816 | ||||
| The Procession | c. 1816 | ||||
| SS. Justa and Rufina | 1817 | Cathedral, Seville | |||
| The Forge (Goya) | c. 1817 | Frick Collection, New York City | |||
| The Giant | 1818 | ||||
| The Forge | c. 1819 | Frick Collection, New York City | |||
| Portrait of Don Juan Antonio Cuervo | 1819 | Cleveland Museum of Art | |||
| The Last Communion of St. Joseph of Calasanz | 1819 | Escuelas Pías de San Antón, Madrid | |||
| Agony in the Garden (Goya) | 1819 | Escuelas Pías de San Antón | . | ||
| Self-portrait with Dr Arrieta | 1820 | Minneapolis Institute of Arts, Minnesota | |||
| Men Reading | c. 1819–23 | ||||
| Carnival Scene | 1820–1824 | ||||
| Atropos (The Fates) | 1820–1823 | ||||
| Goat (Goya) | 1820–1823 | ||||
| Fight with Cudgels | 1820–1823 | ||||
| Two Women | 1820–1823 | ||||
| Men Reading | 1820–1823 | ||||
| Deaf Man | 1820–1823 | ||||
| Asmodea | 1820–1823 | ||||
| Old Men Eating | 1820–1823 | ||||
| The Dog | 1820–23 | ||||
| Fight with Cudgels | 1820–23 | ||||
| The Great He-Goat or Witches Sabbath | c. 1821–23 | ||||
| Leocadia | c. 1821–23 | ||||
| Saturn Devouring His Son | c. 1821–23 | ||||
| Two Old Men | c. 1821–23 | ||||
| Two Old Women Eating from a Bowl | c. 1821–23 | ||||
| Two Young People Laughing at a Man | c. 1821–23 | ||||
| Leandro Fernández de Moratín | 1824 | Museo de Bellas Artes, Bilbao, Spain | |||
| The Milkmaid of Bordeaux | 1825–27 | Prado | |||
| Don Juan Bautista de Muguiro | 1827 | Prado | |||
| Don José Pío de Molina | 1827–28 | Reinhart Collection, Winterthur | |||
| Josefa Bayeu | unknown dating | ||||
| Striker Family Goya | unknown dating |
Read more about this topic: List Of Works By Francisco Goya
Famous quotes containing the word paintings:
“A thousand moral paintings I can show
That shall demonstrate these quick blows of Fortune’s
More pregnantly than words.”
—William Shakespeare (1564–1616)
“It is not your paintings I like, it is your painting.”
—Albert Camus (1913–1960)
“Not “Seeing is Believing” you ninny, but “Believing is Seeing.” For modern art has become completely literary: the paintings and other works exist only to illustrate the text.”
—Tom Wolfe (b. 1931)