Episodes
The series has not been released on DVD, however, plans to do so have been announced.
| # | Title | Director | Writer(s) | Original airdate |
|---|---|---|---|---|
| 0 | "Pilot" | Scott Winant | Elizabeth Craft and Sarah Fain | N/A |
|
Lindsay, Claire, Cindy and Jacobi investigate a series of murders occurring on the victims' wedding anniversaries. Jill prosecutes a man for the murder of his wife. Lindsay faces up to the past when her ex-husband announces he is getting married again and deals with the news that she is going to be the new lieutenant. Differences from the series include Cindy already being part of the club, Lindsay becoming the new lieutenant instead of her ex-husband, the casting of Tom, and the "flower killer" instead of the Kiss Me Not Killer. |
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| 1 | "Welcome to the Club" | Greg Yaitanes | Elizabeth Craft and Sarah Fain | October 12, 2007 (2007-10-12) |
| Lindsay, Claire, Jill and Jacobi investigate the murder of a prominent San Francisco reporter, and get unexpected help from the victim's co-worker, who has an interest in serial killers. In their private lives, Lindsay faces up to the past when her ex-husband is brought into her police department in a leadership role, and Jill faces a domestic crisis. | ||||
| 2 | "Train In Vain" | Michael Fields | Barbara Hall | October 19, 2007 (2007-10-19) |
| Lindsay and Jacobi hunt down a killer who committed a triple homicide on a subway car, and discover a disturbing twist in the killer's motive. Cindy tries to gain the respect of The Club. Jill prepares to move in with Luke. Claire helps Ed through his recovery. Lindsay meets Tom's fiancée. | ||||
| 3 | "Blind Dates and Bleeding Hearts" | Sarah Pia Anderson | Gretchen J. Berg and Aaron Harberts | October 26, 2007 (2007-10-26) |
| While investigating a woman found dead in an alleyway, Jill bonds with the victim's teenage daughter. Meanwhile, Lindsay is encouraged by her friends to return to the dating scene and Claire attempts to bring the romance back into her marriage. | ||||
| 4 | "Grannies, Guns, and Love Mints" | Rick Wallace | R. Scott Gemmill | November 2, 2007 (2007-11-02) |
| The Club investigates an underground drug ring that's being run out of a nursing home. Lindsay feels pressured into going on a date. Jill makes a huge decision in her relationship with Luke. | ||||
| 5 | "Maybe, Baby" | Skipp Sudduth | Matt Witten | November 9, 2007 (2007-11-09) |
| The Club investigates the murder of a young man and the disappearance of his pregnant wife. Spurred on by the case, Jill expresses her desire to stay childless. Lindsay and Tom have a one night stand. | ||||
| 6 | "Play Through the Pain" | Tawnia McKiernan | Sherry Carnes | November 15, 2007 (2007-11-15) |
| The Club investigate the murder of an NFL quarterback whose death was made to look like suicide. Meanwhile, Lindsay runs into Heather the day after her night with Tom, and the two men in Jill's life finally meet. | ||||
| 7 | "The Past Comes Back to Haunt You" | Brian Spicer | Melinda Hsu | November 16, 2007 (2007-11-16) |
| The Club have 24 hours to stop an innocent man's execution and find the real killer of the woman he was accused of murdering. Meanwhile, Jill discovers corruption in the D.A.'s office, and Lindsay worries that her one night stand with Tom may have resulted in pregnancy. | ||||
| 8 | "No Opportunity Necessary" | Rick Wallace | Nichelle D. Tramble | November 23, 2007 (2007-11-23) |
| The Club investigate the murder of an illegal immigrant, where the only witnesses are the victim's father (who was also shot), and his young daughter. Meanwhile, Lindsay calls in Heather to get through to the girl, and Jill turns to Denise for help when an immigration official turns up.+ | ||||
| 9 | "To Drag & To Hold" | Mel Damski | Gretchen J. Berg and Aaron Harberts | December 7, 2007 (2007-12-07) |
| The Club delve into San Francisco's drag queen community while investigating a murder. Meanwhile, Tom and Heather tie the knot, and Luke finally discovers the truth about Jill and Hanson's affair. | ||||
| 10 | "FBI Guy" | Michael Schultz | Elizabeth Craft and Sarah Fain | January 4, 2008 (2008-01-04) |
| The Club investigate the decapitation of a wine broker, and suspicion falls on his business partner. Agent Ashe tries to get Lindsay to investigate the Kiss Me Not Killer with him, and Lindsay is forced to come clean over the threat on her life. Tom and Heather return from their honeymoon. | ||||
| 11 | "Father's Day" | Félix Enríquez Alcalá | Story: Robert Nathan and Tom Postiglione Teleplay: Sonny Postiglione and Tom Szentgyorgyi |
April 29, 2008 (2008-04-29) |
| Lindsay bends the rules while investigating the murder of an undercover cop, and gets a rude awakening when her dirty ex-cop father suddenly reappears in her life. Meanwhile, Cindy still feels distant from the rest of The Club and Lindsay meets a handsome stranger. | ||||
| 12 | "And the Truth Will (Sometimes) Set You Free" | Matthew Penn | Story: Melinda Hsu and Robert Nathan Teleplay: Melinda Hsu and Sherry Carnes |
May 6, 2008 (2008-05-06) |
| An investigation into a rape and murder at a college frat party goes awry for the Club when Cindy is left fighting for her life. Meanwhile, Lindsay considers taking her relationship with Pete to a new level. | ||||
| 13 | "Never Tell" | Brad Turner | Story:Robert Nathan and Matt Witten Teleplay: Matt Witten and Nichelle D. Tramble |
May 13, 2008 (2008-05-13) |
| Lindsay risks her life and her new romance to capture the Kiss Me Not Killer once and for all, when a woman's kidnapping leads to the killer's identity being revealed to The Club. |
Read more about this topic: List Of Women's Murder Club Episodes
Famous quotes containing the word episodes:
“What is a novel if not a conviction of our fellow-men’s existence strong enough to take upon itself a form of imagined life clearer than reality and whose accumulated verisimilitude of selected episodes puts to shame the pride of documentary history?”
—Joseph Conrad (1857–1924)
“Twenty or thirty years ago, in the army, we had a lot of obscure adventures, and years later we tell them at parties, and suddenly we realize that those two very difficult years of our lives have become lumped together into a few episodes that have lodged in our memory in a standardized form, and are always told in a standardized way, in the same words. But in fact that lump of memories has nothing whatsoever to do with our experience of those two years in the army and what it has made of us.”
—Václav Havel (b. 1936)