The mechanical design of the anime Turn A Gundam is the first and only in the series, using a non-Japanese designer. Industrial designer Syd Mead designed these mecha with the view of simple and realistic, instead of following Japanese trend of mecha like designs, he introduced more industrial design methods into the mechas. The new designs are very controversial to the fans, and the director Yoshiyuki Tomino felt that they are exotic and are not generally accepted. However, this is also what he intended and he did not think the hard work is wasted, since the show overall received good comments. The show also used mechas from older series.
Famous quotes containing the words list of, list, turn, mobile and/or units:
“The advice of their elders to young men is very apt to be as unreal as a list of the hundred best books.”
—Oliver Wendell Holmes, Jr. (1841–1935)
“Lovers, forget your love,
And list to the love of these,
She a window flower,
And he a winter breeze.”
—Robert Frost (1874–1963)
“One of the most difficult aspects of being a parent during the middle years is feeling powerless to protect our children from hurt. However “growthful” it may be for them to experience failure, disappointment and rejection, it is nearly impossible to maintain an intellectual perspective when our sobbing child or rageful child comes in to us for help. . . . We can’t turn the hurt around by kissing the sore spot to make it better. We are no longer the all-powerful parent.”
—Ruth Davidson Bell (20th century)
“From three to six months, most babies have settled down enough to be fun but aren’t mobile enough to be getting into trouble. This is the time to pay some attention to your relationship again. Otherwise, you may spend the entire postpartum year thinking you married the wrong person and overlooking the obvious—that parenthood can create rough spots even in the smoothest marriage.”
—Anne Cassidy (20th century)
“Even in harmonious families there is this double life: the group life, which is the one we can observe in our neighbour’s household, and, underneath, another—secret and passionate and intense—which is the real life that stamps the faces and gives character to the voices of our friends. Always in his mind each member of these social units is escaping, running away, trying to break the net which circumstances and his own affections have woven about him.”
—Willa Cather (1873–1947)