Lisi Harrison's young adult novel series, The Clique revolves around the lives of five girls: Massie Block, Alicia Rivera, Dylan Marvil, Claire Lyons, and Kristen Gregory. Together they collectively make up The Pretty Committee, an Alpha clique at the fictional, all-girls middle school, Octavian Country Day. Claire Lyons is a misfit girl from Orlando who shops at GAP and tries to fit into the Pretty Committee. Massie is the head of the group, while Claire, a newcomer to the area, is initially considered an outcast due to her financial and fashion status'. As the series progresses, she slowly develops a friendship with Massie, and eventually becomes a member of the group.
The first novel, The Clique, was released on May 5, 2004. As of March 2010, the series spans fourteen full-length novels, and a five novella sub-series called the "Clique Summer Collection."
Famous quotes containing the words list of the, list of, list, clique, series and/or characters:
“Shea—they call him Scholar Jack—
Went down the list of the dead.
Officers, seamen, gunners, marines,
The crews of the gig and yawl,
The bearded man and the lad in his teens,
Carpenters, coal-passers—all.”
—Joseph I. C. Clarke (1846–1925)
“Shea—they call him Scholar Jack—
Went down the list of the dead.
Officers, seamen, gunners, marines,
The crews of the gig and yawl,
The bearded man and the lad in his teens,
Carpenters, coal-passers—all.”
—Joseph I. C. Clarke (1846–1925)
“Shea—they call him Scholar Jack—
Went down the list of the dead.
Officers, seamen, gunners, marines,
The crews of the gig and yawl,
The bearded man and the lad in his teens,
Carpenters, coal-passers—all.”
—Joseph I. C. Clarke (1846–1925)
“Every clique is a refuge for incompetence. It fosters corruption and disloyalty, it begets cowardice, and consequently is a burden upon and a drawback to the progress of the country. Its instincts and actions are those of the pack.”
—Madame Chiang Kai-Shek (b. 1898)
“There is in every either-or a certain naivete which may well befit the evaluator, but ill- becomes the thinker, for whom opposites dissolve in series of transitions.”
—Robert Musil (1880–1942)
“His leanings were strictly lyrical, descriptions of nature and emotions came to him with surprising facility, but on the other hand he had a lot of trouble with routine items, such as, for instance, the opening and closing of doors, or shaking hands when there were numerous characters in a room, and one person or two persons saluted many people.”
—Vladimir Nabokov (1899–1977)