List of Sub-Saharan African Submissions For The Academy Award For Best Foreign Language Film

The following is a list of the films submitted by the countries of Sub-Saharan Africa in the Best Foreign Language Film category at the Academy Awards. The list excludes submissions by South Africa, which can be seen here.

As of 2012, only eight sub-Saharan African countries have competed in this category, with each country only submitted once each.

In 1976, Côte d'Ivoire became the first country in the region to submit a film. Although the film was a majority French production, it was allowed to represent the Ivory Coast, and went on to win the 1977 Oscar.

Burkina Faso and Cameroon each submitted one film in the 1980s, Democratic Republic of the Congo sent one in the 1990s and Chad and Tanzania submitted in the 2000s.

Year Country English title Language Director IMDb Result
1976-1977
Ivory Coast
Black and White in Color
French
Jean-Jacques Annaud
IMDb Academy Award !Won Academy Award
1980-1981
Cameroon
Our Daughter
French
Daniel Kamwa
IMDb Not Nominated
1989-1990
Burkina Faso
Yaaba
Moré
Idrissa Ouedraogo
IMDb Not Nominated
1997-1998
Democratic Republic of the Congo
Macadam Tribu
French
Zeka Laplaine
IMDb Not Nominated
2001-2002
Tanzania
Maangamizi: The Ancient One
Swahili, English
Martin Mhando and Ron Mulvihill
IMDb Not Nominated
2002-2003
Chad
Abouna
Chadian Arabic, French
Mahamat-Saleh Haroun
IMDb Not Nominated
2010-2011
Ethiopia
The Athlete
Amharic
Davey Frankel, Rasselas Lakew
IMDb Not Nominated
2011-2012
Kenya
Nairobi Half Life
Swahili
David 'Tosh' Gitonga
Not Nominated

NOTE: Films were submitted for consideration in autumn of the earlier year, with the Oscar ceremony taking place the following year.

Famous quotes containing the words list of, list, african, academy, award, foreign, language and/or film:

    Modern tourist guides have helped raised tourist expectations. And they have provided the natives—from Kaiser Wilhelm down to the villagers of Chichacestenango—with a detailed and itemized list of what is expected of them and when. These are the up-to- date scripts for actors on the tourists’ stage.
    Daniel J. Boorstin (b. 1914)

    Shea—they call him Scholar Jack—
    Went down the list of the dead.
    Officers, seamen, gunners, marines,
    The crews of the gig and yawl,
    The bearded man and the lad in his teens,
    Carpenters, coal-passers—all.
    Joseph I. C. Clarke (1846–1925)

    I never feel so conscious of my race as I do when I stand before a class of twenty-five young men and women eager to learn about what it is to be black in America.
    Claire Oberon Garcia, African American college professor. As quoted in the Chronicle of Higher Education, p. B3 (July 27, 1994)

    When the State wishes to endow an academy or university, it grants it a tract of forest land: one saw represents an academy, a gang, a university.
    Henry David Thoreau (1817–1862)

    The award of a pure gold medal for poetry would flatter the recipient unduly: no poem ever attains such carat purity.
    Robert Graves (1895–1985)

    the young men who watch us from the curbs:
    They hold the glaze of wonder in their stare
    Our crooked backs, hands fetid as old herbs,
    The tallow eyes, wax face, the foreign hair!
    Allen Tate (1899–1979)

    Repeat thy song, till the familiar lines
    Are footpaths for the thought of Italy!
    Thy flame is blown abroad from all the heights,
    Through all the nations, and a sound is heard,
    As of a mighty wind, and men devout,
    Strangers of Rome, and the new proselytes,
    In their own language hear thy wondrous word,
    And many are amazed and many doubt.
    Henry Wadsworth Longfellow (1809–1882)

    Film as dream, film as music. No art passes our conscience in the way film does, and goes directly to our feelings, deep down into the dark rooms of our souls.
    Ingmar Bergman (b. 1918)