Three anime series based on the Record of Lodoss War novels and role playing games have been released in Japan in various forms. The first series, a 13 episode original video animation (OVA) produced by Madhouse Studios, was released in VHS format from June 30, 1990 through November 20, 1991. On August 5, 1995, the anime film Legend of Crystania was released, which itself was followed by a three episode OVA Legend of Crystania: The Chaos Ring which was released in VHS format from November 21, 1996 through April 23, 1997. A theatrical short, Welcome to Lodoss Island followed on April 25, 1998. Directed by Kōichi Chigira, the short was a cartoon-like skit series. The same year, AIC produced a 27 episode anime television series that continued the story of the first OVA series, but ignored its last third in order to adapt the original novel series more faithfully. Record of Lodoss War: Chronicles of the Heroic Knight premiered on TV Tokyo on April 1, 1998 and ran until its conclusion on September 30, 1998.
Both Record of Lodoss War and Record of Lodoss War: Chronicles of the Heroic Knight were licensed for an English language release in North America by Central Park Media. The Legend of Crystania OVA is licensed by ADV Films.
Record of Lodoss War uses two pieces of theme music, both performed by Sherry: "Adèsso e Fortuna: Honō to Eien" which is used for the opening theme, and "Kaze no Fantasia" which is used for the ending theme. Legend of Crystania uses "The Map of Light" by Hitomi Mieno for its opening theme and "Save My Love" by Satoko Shimonari for its ending. Record of Lodoss War: Chronicles of the Heroic Knight also uses two themes: Maaya Sakamoto's "Kiseki no Umi" is used for the opening and Chie Ishibashi's "Hikari no Suashi" for the ending.
Famous quotes containing the words list of, list, record, war and/or episodes:
“The advice of their elders to young men is very apt to be as unreal as a list of the hundred best books.”
—Oliver Wendell Holmes, Jr. (1841–1935)
“Modern tourist guides have helped raised tourist expectations. And they have provided the natives—from Kaiser Wilhelm down to the villagers of Chichacestenango—with a detailed and itemized list of what is expected of them and when. These are the up-to- date scripts for actors on the tourists’ stage.”
—Daniel J. Boorstin (b. 1914)
“A wellborn mind that is practiced in dealing with people makes itself thoroughly agreeable by itself. Art is nothing else but the list and record of the productions of such minds.”
—Michel de Montaigne (1533–1592)
“There is the guilt all soldiers feel for having broken the taboo against killing, a guilt as old as war itself. Add to this the soldier’s sense of shame for having fought in actions that resulted, indirectly or directly, in the deaths of civilians. Then pile on top of that an attitude of social opprobrium, an attitude that made the fighting man feel personally morally responsible for the war, and you get your proverbial walking time bomb.”
—Philip Caputo (b. 1941)
“What is a novel if not a conviction of our fellow-men’s existence strong enough to take upon itself a form of imagined life clearer than reality and whose accumulated verisimilitude of selected episodes puts to shame the pride of documentary history?”
—Joseph Conrad (1857–1924)