List of Piedmont Blues Musicians

List Of Piedmont Blues Musicians

The Piedmont blues (also known as Piedmont fingerstyle) is a type of blues music characterized by a unique fingerpicking method on the guitar in which a regular, alternating-thumb bassline pattern supports a melody using treble strings. The result is comparable in sound to a ragtime piano. The Piedmont blues typically refers to a greater area than Piedmont, which refers to the East Coast of the United States from about Richmond, Virginia to Atlanta, Georgia. Piedmont blues musicians come from this area, as well as Maryland, Delaware, West Virginia, Pennsylvania and Florida. It was made popular in the early 20th century. Below is a list of Piedmont blues musicians.

Contents: Top 0–9 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Read more about List Of Piedmont Blues Musicians:  A, B, C, D, E, F, H, J, L, M, P, S, T, W

Famous quotes containing the words list of, list, blues and/or musicians:

    My list of things I never pictured myself saying when I pictured myself as a parent has grown over the years.
    Polly Berrien Berends (20th century)

    Weigh what loss your honor may sustain
    If with too credent ear you list his songs,
    Or lose your heart, or your chaste treasure open
    To his unmastered importunity.
    William Shakespeare (1564–1616)

    Holly Golightly: You know those days when you’ve got the mean reds?
    Paul: The mean reds? You mean like the blues?
    Holly Golightly: No, the blues are because you’re getting fat or maybe it’s been raining too long. You’re just sad, that’s all. The mean reds are horrible. Suddenly you’re afraid and you don’t know what you’re afraid of.
    George Axelrod (b. 1922)

    As if the musicians did not so much play the little phrase as execute the rites required by it to appear, and they proceeded to the necessary incantations to obtain and prolong for a few instants the miracle of its evocation, Swann, who could no more see the phrase than if it belonged to an ultraviolet world ... Swann felt it as a presence, as a protective goddess and a confidante to his love, who to arrive to him ... had clothed the disguise of this sonorous appearance.
    Marcel Proust (1871–1922)