The Mermaid Melody Pichi Pichi Pitch animated television series is based on the shōjo manga of the same name created by Michiko Yokote. The episodes, produced by the animation studios We've and Synergy SP, are directed by Yoshitaka Fujimoto, written by Junki Takegami, and features character design by Kazuaki Makida, who based the designs on illustrations by Pink Hanamori. The story basically follows the main character Lucia Nanami, Mermaid Princess of the North Pacific Ocean, searches for and woos Kaito Dōmoto, a boy she rescued seven years before, while at the same time, she and Hanon Hōshō and Rina Tōin, Princesses of the South and North Atlantic Ocean respectively, battle a minion sea monsters using their voices and some magic microphones.
ADV Films acquired the license to the anime on June 2004 for its North American release, but was eventually dropped due to difficulty in finding backers and securing a TV airing deal. While the acquisition of the license and English localization of anime predated that of the manga, it is unknown if a release will occur. That is because as of 2009, the anime has been completely dubbed but is being held by TV Aichi.
The anime is composed of 91 episodes, divided into two seasons listed below.
The anime also uses six theme songs, as well as several mermaid battle and image songs and tunes sung by other characters. Most of them were compiled into a total of nine singles and four "vocal collection" albums (two for each season), as well as soundtrack albums for the two seasons.
Famous quotes containing the words list of, list, melody, pitch and/or episodes:
“A man’s interest in a single bluebird is worth more than a complete but dry list of the fauna and flora of a town.”
—Henry David Thoreau (1817–1862)
“Lastly, his tomb
Shall list and founder in the troughs of grass
And none shall speak his name.”
—Karl Shapiro (b. 1913)
“It’s a melody full of the laughter of children out after the rain.”
—Dorothy Fields (1904–1974)
“He maintained that the case was lost or won by the time the final juror had been sworn in; his summation was set in his mind before the first witness was called. It was all in the orchestration, he claimed: in knowing how and where to pitch each and every particular argument; who to intimidate; who to trust, who to flatter and court; who to challenge; when to underplay and exactly when to let out all the stops.”
—Dorothy Uhnak (b. 1933)
“Twenty or thirty years ago, in the army, we had a lot of obscure adventures, and years later we tell them at parties, and suddenly we realize that those two very difficult years of our lives have become lumped together into a few episodes that have lodged in our memory in a standardized form, and are always told in a standardized way, in the same words. But in fact that lump of memories has nothing whatsoever to do with our experience of those two years in the army and what it has made of us.”
—Václav Havel (b. 1936)