List Of Magical Beings In Charmed
This article lists magical beings in the U.S. television series Charmed (1998-2006), broadcast on the now-defunct TV network The WB. In its eight-year run, the writing staff led by show runner, head writer, and executive producer Brad Kern adapted fantasy, horror, and folklore into a fictional universe that was recognizable as being like contemporary society, but with a hidden group of magical users altering between good and evil practitioners. The forces of good are called "witches" in the Charmed universe, and there are a number of allied good character types and three main evil types of character races. The magical beings are described, below, using in-universe tone.
Read more about List Of Magical Beings In Charmed: Avatars, Cleaners, Darklighter, Demons, Elders, Ghosts, The Hollow, Titans, Warlocks, Witches, Whitelighter, Angel of Destiny
Famous quotes containing the words list of, list, magical, beings and/or charmed:
“Love’s boat has been shattered against the life of everyday. You and I are quits, and it’s useless to draw up a list of mutual hurts, sorrows, and pains.”
—Vladimir Mayakovsky (1893–1930)
“All is possible,
Who so list believe;
Trust therefore first, and after preve,
As men wed ladies by license and leave,
All is possible.”
—Sir Thomas Wyatt (1503?–1542)
“But the golden-rod is one of the fairy, magical flowers; it grows not up to seek human love amid the light of day, but to mark to the discerning what wealth lies hid in the secret caves of earth.”
—Margaret Fuller (1810–1850)
“Human beings have rights, because they are moral beings: the rights of all men grow out of their moral nature; and as all men have the same moral nature, they have essentially the same rights. These rights may be wrested from the slave, but they cannot be alienated: his title to himself is as perfect now, as is that of Lyman Beecher: it is stamped on his moral being, and is, like it, imperishable.”
—Angelina Grimké (1805–1879)
“At first, he savored only the material quality of the sounds secreted by the instruments. And it had already been a great pleasure when, beneath the tiny line of the violin, slender, resistant, dense and driving, he noticed the mass of the piano’s part seeking to arise in a liquid splashing, polymorphous, undivided, level and clashing like the purple commotion of wave charmed and flattened by the moonlight.”
—Marcel Proust (1871–1922)