List of Lost Films

For this list of lost films, a lost film is defined as one of which no part of a print is known to have survived. For films in which any portion of the footage remains (including trailers), see List of incomplete or partially lost films.

Films may go missing for a number of reasons. One major reason is the widespread use of nitrate film until the early 1950s. This type of film was extremely flammable, resulting in several fires, such as the 1967 MGM Vault fire and the 1937 Fox Pictures' vault fire. Nitrate film was also melted down for its silver content. Films may also become lost because production companies went bankrupt, or because no one thought the movies were worth saving. Occasionally studios would remake a film and destroy the earlier version.

This is necessarily an incomplete list. Martin Scorsese's Film Foundation claims that "half of all American films made before 1950 and over 90% of films made before 1929 are lost forever." Deutsche Kinemathek estimates that 80-90% of silent movies are gone; the film archive's own list contains over 3500 lost films. While others dispute whether the percentage is quite that high, it is impractical to enumerate any but the more notable and those that can be sourced.

Famous quotes containing the words list of, list, lost and/or films:

    Thirty—the promise of a decade of loneliness, a thinning list of single men to know, a thinning brief-case of enthusiasm, thinning hair.
    F. Scott Fitzgerald (1896–1940)

    I made a list of things I have
    to remember and a list
    of things I want to forget,
    but I see they are the same list.
    Linda Pastan (b. 1932)

    We have to divide mother love with our brothers and sisters. Our parents can help us cope with the loss of our dream of absolute love. But they cannot make us believe that we haven’t lost it.
    Judith Viorst (20th century)

    Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.
    David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)