This is intended as a non-exhaustive list of input methods for UNIX platforms. An input method is a means of entering characters and glyphs that have a corresponding encoding in a Character set. See the input method page for more information.
| Name | Languages supported | XIM | Qt4 | GTK+ 2 | GTK+ 3 | Other |
|---|---|---|---|---|---|---|
| IBus | Multiple languages, including CJK | ✓ | ✓ | ✓ | ✓ | |
| SCIM | ✓ | ✓ | ✓ | |||
| uim | ✓ | ✓ | ✓ | ✓ | Leim, TTY and TSM (Mac OS X) | |
| GCIN | Chinese input method server for Big5 Traditional Chinese character sets, expandible with input methods e.g. from SCIM. | ✓ | ✓ | ✓ | ||
| xcin | Mainly for traditional Chinese; adapted for use for simplified Chinese. | ✓ | ||||
| oxim | ✓ | ✓ | ✓ | |||
| fcitx | Mainly for Simplified Chinese | ✓ | ✓ | ✓ | ✓ | fbterm |
| InputKing | Chinese (traditional Chinese and simplified Chinese), Japanese and Korean. | Browser based | ||||
| im-ja | Japanese | ✓ | ✓ | |||
| kinput2 | ✓ | kinput2 protocol | ||||
| Nunome | Qtopia | |||||
| ATOKX | ✓ | ✓ | ||||
| ami | Korean | ✓ | ||||
| imhangul | ✓ | ✓ | ||||
| Nabi | ✓ | |||||
| qimhangul | ✓ | |||||
| xvnkb | Vietnamese | ✓ | ||||
| x-unikey | ✓ |
Famous quotes containing the words list of, list, input, methods and/or platforms:
“Every morning I woke in dread, waiting for the day nurse to go on her rounds and announce from the list of names in her hand whether or not I was for shock treatment, the new and fashionable means of quieting people and of making them realize that orders are to be obeyed and floors are to be polished without anyone protesting and faces are to be made to be fixed into smiles and weeping is a crime.”
—Janet Frame (b. 1924)
“Religious literature has eminent examples, and if we run over our private list of poets, critics, philanthropists and philosophers, we shall find them infected with this dropsy and elephantiasis, which we ought to have tapped.”
—Ralph Waldo Emerson (18031882)
“Celebrity is a mask that eats into the face. As soon as one is aware of being somebody, to be watched and listened to with extra interest, input ceases, and the performer goes blind and deaf in his overanimation. One can either see or be seen.”
—John Updike (b. 1932)
“The comparison between Coleridge and Johnson is obvious in so far as each held sway chiefly by the power of his tongue. The difference between their methods is so marked that it is tempting, but also unnecessary, to judge one to be inferior to the other. Johnson was robust, combative, and concrete; Coleridge was the opposite. The contrast was perhaps in his mind when he said of Johnson: his bow-wow manner must have had a good deal to do with the effect produced.”
—Virginia Woolf (18821941)
“I would rather be known as an advocate of equal suffrage than to speak every night on the best-paying platforms in the United States and ignore it.”
—Anna Howard Shaw (18471919)