Die Hard Scenario
- Bone of Contention (Coming summer of 2013) - Bones
- Death Bank - 30 Rock
- Death Blow - Seinfeld
- Die Hard 4: So Die, Already. - Mad About You
- Die Hard 12: Die Hungry - The Ben Stiller Show
- Final Chapter (2000) - The Simpsons
- Final Chapter: A New Beginning (2002) - The Simpsons
- Firepower - Dr. Katz, Professional Therapist
- Firestorm - Seinfeld
- Heli Copper - iCarly
- Jurassic Park II (1996) - The Critic
- Jurassic Picnic (1994) - Animaniacs
- Labyrinth Guy (2007) - All Grown Up!
- Lethal Weapon Babies (2005) - Looney Tunes: Back in Action
- Matterhorn - Entourage
- Out of Ammo - Foster's Home for Imaginary Friends
- Out of Ammo II - Foster's Home for Imaginary Friends
- Ozone and Ozone II: The Reckoning - Jiminy Glick in Lalawood
- Red Balloon (1988) - The Critic
- Red Balloon II (1994) - The Critic
- Save Hard (2009) - Railcard
- Scorcher (I -VI) (1995) - Tropic Thunder
- T-Rexatron Alienwolf III, A Prequel in Time: The Unrelenting (2006) - Foster's Home for Imaginary Friends.
- Trio (unreleased) - An Alan Smithee Film: Burn Hollywood Burn
Read more about this topic: List Of Fictitious Films, Action
Famous quotes containing the words die hard, die, hard and/or scenario:
“Myths and legends die hard in America. We love them for the extra dimension they provide, the illusion of near-infinite possibility to erase the narrow confines of most men’s reality. Weird heroes and mould-breaking champions exist as living proof to those who need it that the tyranny of “the rat race” is not yet final.”
—Hunter S. Thompson (b. 1939)
“When you’re born you don’t bring it with you; when you die you can’t take it with you.”
—Chinese proverb.
“Many older wealthy families have learned to instill a sense of public service in their offspring. But newly affluent middle-class parents have not acquired this skill. We are using our children as symbols of leisure-class standing without building in safeguards against an overweening sense of entitlement—a sense of entitlement that may incline some young people more toward the good life than toward the hard work that, for most of us, makes the good life possible.”
—David Elkind (20th century)
“This is the essential distinction—even opposition—between the painting and the film: the painting is composed subjectively, the film objectively. However highly we rate the function of the scenario writer—in actual practice it is rated very low—we must recognize that the film is not transposed directly and freely from the mind by means of a docile medium like paint, but must be cut piece-meal out of the lumbering material of the actual visible world.”
—Sir Herbert Read (1893–1968)