List of Fictitious Films - Action - Die Hard Scenario

Die Hard Scenario

  • Bone of Contention (Coming summer of 2013) - Bones
  • Death Bank - 30 Rock
  • Death Blow - Seinfeld
  • Die Hard 4: So Die, Already. - Mad About You
  • Die Hard 12: Die Hungry - The Ben Stiller Show
  • Final Chapter (2000) - The Simpsons
  • Final Chapter: A New Beginning (2002) - The Simpsons
  • Firepower - Dr. Katz, Professional Therapist
  • Firestorm - Seinfeld
  • Heli Copper - iCarly
  • Jurassic Park II (1996) - The Critic
  • Jurassic Picnic (1994) - Animaniacs
  • Labyrinth Guy (2007) - All Grown Up!
  • Lethal Weapon Babies (2005) - Looney Tunes: Back in Action
  • Matterhorn - Entourage
  • Out of Ammo - Foster's Home for Imaginary Friends
  • Out of Ammo II - Foster's Home for Imaginary Friends
  • Ozone and Ozone II: The Reckoning - Jiminy Glick in Lalawood
  • Red Balloon (1988) - The Critic
  • Red Balloon II (1994) - The Critic
  • Save Hard (2009) - Railcard
  • Scorcher (I -VI) (1995) - Tropic Thunder
  • T-Rexatron Alienwolf III, A Prequel in Time: The Unrelenting (2006) - Foster's Home for Imaginary Friends.
  • Trio (unreleased) - An Alan Smithee Film: Burn Hollywood Burn

Read more about this topic:  List Of Fictitious Films, Action

Famous quotes containing the words die, hard and/or scenario:

    The world must be peopled. When I said I would die a bachelor, I did not think I should live till I were married.
    William Shakespeare (1564–1616)

    The hearts of small children are delicate organs. A cruel beginning in this world can twist them into curious shapes. The heart of a hurt child can shrink so that forever afterward it is hard and pitted as the seed of a peach. Or, again, the heart of such a child may fester and swell until it is misery to carry within the body, easily chafed and hurt by the most ordinary things.
    Carson McCullers (1917–1967)

    This is the essential distinction—even opposition—between the painting and the film: the painting is composed subjectively, the film objectively. However highly we rate the function of the scenario writer—in actual practice it is rated very low—we must recognize that the film is not transposed directly and freely from the mind by means of a docile medium like paint, but must be cut piece-meal out of the lumbering material of the actual visible world.
    Sir Herbert Read (1893–1968)