Feature Films
- Doppelgänger (AKA Journey to the Far Side of the Sun, 1969)
- Prisoners of the Lost Universe (1983)
- Super Mario Bros. (1993)
- Sliding Doors (1998)
- Mr. Nobody (2009)
- Donnie Darko (2001)
- The One (2001): Travel between parallel universes in the Multiverse is possible by using "quantum tunnelling" technology, but restricted and policed by the Multiverse Authority (MVA). Alternate versions or "Multiverse Counterparts" (MVCs) of all living persons are connected by an "energy string." Gabriel Yu-Law, a rogue, former MVA agent learns that killing alternate versions of himself in parallel universes divides the "energy" among the surviving MVC's and subsequently embarks on a mission to kill all of his MVC's in order to gain ultimate power and become "The One." He travels to what appears to be our universe to kill his last remaining MVC, Gabriel Law. The task becomes exceedingly more difficult as Law realizes that the energy he shares with Yu-Law has given them both super-human strength and agility.
- The Butterfly Effect (2004): Recounts the story of a young college student who can modify past occurrences in time and in effect, create different parallel universes for himself.
- Garfield's Pet Force (2009): Based on the children's book series, which takes place in a parallel universe and stars alternate versions of the main characters of the Garfield comic strips.
- Star Trek (2009)
- Maximum Shame (2010)
- Another Earth
- Crossworlds
- Justice League: Crisis on Two Earths
- Paradox
- Phineas and Ferb The Movie: Across the 2nd Dimension
- Pokémon 3: The Movie
- Shrek Forever After
- Sonic the Hedgehog: The Movie
- Star Trek
- Super Mario Bros.
- Turtles Forever
Read more about this topic: List Of Fiction Employing Parallel Universes
Famous quotes containing the words feature and/or films:
“When delicate and feeling souls are separated, there is not a feature in the sky, not a movement of the elements, not an aspiration of the breeze, but hints some cause for a lover’s apprehension.”
—Richard Brinsley Sheridan (1751–1816)
“Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
—David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)