Season 6
| Episode | Title | Airdate | Actors |
|---|---|---|---|
| 053 - 1 | Der L-Faktor | 5 January 1979 | Horst Tappert, Fritz Wepper, Willy Schäfer, Mathieu Carrière, Wolfgang Müller |
| 054 - 2 | Anschlag auf Bruno | 2 February 1979 | Horst Tappert, Fritz Wepper, Willy Schäfer, Peter Ehrlich, Doris Schade, Heiner Lauterbach, Dieter Schidor, Michaela May, Gunther Beth |
| 055 - 3 | Schubachs Rückkehr | 9 March 1979 | Horst Tappert, Fritz Wepper, Willy Schäfer, Christine Buchegger, Claus Biederstaedt, Rudolf Wessely |
| 056 - 4 | Ein unheimliches Haus | 30 March 1979 | Horst Tappert, Fritz Wepper, Willy Schäfer, Eva Kotthaus, Paul Hoffmann, Lisa Kreuzer |
| 057 - 5 | Die Puppe | 11 May 1979 | Horst Tappert, Fritz Wepper, Willy Schäfer, Werner Schulenberg, Siegfried Wischnewski |
| 058 - 6 | Tandem | 8 June 1979 | Horst Tappert, Fritz Wepper, Willy Schäfer, Raimund Harmstorf, Dirk Galuba, Dan van Husen |
| 059 - 7 | Lena | 29 June 1979 | Horst Tappert, Fritz Wepper, Willy Schäfer, Ursula Lingen, Rolf Becker, Paul Muller, Rudolf Schündler |
| 060 - 8 | Besuch aus New York | 27 July 1979 | Horst Tappert, Fritz Wepper, Willy Schäfer, Brad Harris |
| 061 - 9 | Ein Kongreß in Berlin | 24 August 1979 | Horst Tappert, Fritz Wepper, Will Quadflieg, Judy Winter, Bernd Herzsprung, Claudia Demarmels, Dirk Galuba, Rainer Hunold |
| 062 - 10 | Das dritte Opfer | 28 September 1979 | Horst Tappert, Fritz Wepper, Willy Schäfer, Jutta Speidel, Lambert Hamel, Heinz Drache, Gudo Hoegel, Bruno Dallansky, Carola Höhn |
| 063 - 11 | Die Versuchung | 26 October 1979 | Horst Tappert, Fritz Wepper, Willy Schäfer, Peter Fricke |
| 064 - 12 | Ein Todesengel | 23 November 1979 | Horst Tappert, Fritz Wepper, Willy Schäfer, Sabine von Maydell, Christian Quadflieg, Brigitte Mira, Thomas Fritsch, Stephan Miller, Anton Feichtner |
| 065 - 13 | Karo As | 21 December 1979 | Horst Tappert, Fritz Wepper, Klausjürgen Wussow |
Read more about this topic: List Of Derrick Episodes
Famous quotes containing the word season:
“The theater is a baffling business, and a shockingly wasteful one when you consider that people who have proven their worth, who have appeared in or been responsible for successful plays, who have given outstanding performances, can still, in the full tide of their energy, be forced, through lack of opportunity, to sit idle season after season, their enthusiasm, their morale, their very talent dwindling to slow gray death. Of finances we will not even speak; it is too sad a tale.”
—Ilka Chase (1905–1978)