Unpublished or Withdrawn
This section lists early pieces by Xenakis that have not been published during his lifetime, and works that were withdrawn from the catalogue by the composer himself, for various reasons.
- Untitled piece for piano (February 1949, revised in June)
- Untitled piece for piano (March 1949)
- Untitled piece for piano (27 May 1949)
- Untitled piece for piano (October 1949)
- Menuet, for piano
- Air populaire, for piano
- Allegro molto, for piano
- Untitled piece for piano (January 1950)
- Mélodie, for piano
- Untitled piece for piano (April 1950)
- Untitled piece for piano (15 June 1950)
- Andante, for piano
- Thème et conséquences, for piano (1951, unpublished)
- Dhipli zyia, for violin and cello (1951, unpublished)
- Tripli zyia, for flute, voice and piano (1952, unpublished)
- Trois poèmes, for voice and piano (1952, unpublished)
- La colombe de la paix, for alto soloist and SATB chorus (1953, unpublished)
- Stamatis Katotakis, for soloist and male voices (1953, unpublished)
- Vasarely, tape (1960, film score, withdrawn)
- Formes rouges, tape (1961, film score, withdrawn)
- Amorsima-Morsima (1956–62, withdrawn)
- GENDY301, tape (1991, withdrawn)
- Erod, tape (1997, withdrawn, created using UPIC in collaboration with Brigitte Robindoré)
Read more about this topic: List Of Compositions By Iannis Xenakis
Famous quotes containing the words unpublished and/or withdrawn:
“The true colour of life is the colour of the body, the colour of the covered red, the implicit and not explicit red of the living heart and the pulses. It is the modest colour of the unpublished blood.”
—Alice Meynell (1847–1922)
“For me being a poet is a job rather than an activity. I feel I have a function in society, neither more nor less meaningful than any other simple job. I feel it is part of my work to make poetry more accessible to people who have had their rights withdrawn from them.”
—Jeni Couzyn (b. 1942)