Keyboard Works
| HWV | Type | Key | Composed | Published | Notes |
|---|---|---|---|---|---|
| 305b | Arrangement | F minor | 1747-00-00circa 1747 | Used as an overture. Solo keyboard arrangement of the Organ Concerto in F major (HWV 305) | |
| 425 | Air (Saraband) | E major | 0000-00-00 | An individual movement. Composed by Handel at St. Giles extempore. Autograph c. 1740–50 includes Handel's transcription of opening melody | |
| 426 | Suite de pièce Vol. 1 No. 1 | A major | 1720-00-00prior to 1720 | 1720 | |
| 427 | Suite de pièce Vol. 1 No. 2 | F major | 1720-00-00prior to 1720 | 1720 | |
| 428 | Suite de pièce Vol. 1 No. 3 | D minor | 1720-00-00prior to 1720 | 1720 | |
| 429 | Suite de pièce Vol. 1 No. 4 | E minor | 1720-00-00prior to 1720 | 1720 | |
| 430 | Suite de pièce Vol. 1 No. 5 | E major | 1720-00-00prior to 1720 | 1720 | “The Harmonious Blacksmith” or “Air and Variations in E major”. Also found in early manuscript scores as a "Chaconne" in G major (at least 2 variant forms) |
| 431 | Suite de pièce Vol. 1 No. 6 | F-sharp minor | 1720-00-00prior to 1720 | 1720 | |
| 432 | Suite de pièce Vol. 1 No. 7 | G minor | 1720-00-00prior to 1720 | 1720 | |
| 433 | Suite de pièce Vol. 1 No. 8 | F minor | 1720-00-00prior to 1720 | 1720 | |
| 434 | Suite de pièce Vol. 2 No. 1 | B-flat major | 1717-00-00?1710–1717 | 1733 | 434-4: minuet in G minor which is also used in the flute sonata in E minor (HWV 375). Not part of the Suite de piece in B-flat major. 434-3 has the theme used by Johannes Brahms for his Handel Variations. |
| 435 | Suite de pièce Vol. 2 No. 2 | G major | 1717-00-00?1705–1717 | 1733 | 21 variations. A chaconne. The Ritornello in G major (HWV 343) was added to this composition |
| 436 | Suite de pièce Vol. 2 No. 3 | D minor | 1726-00-00Nowrap|circa 1721–1726 | 1733 | |
| 437 | Suite de pièce Vol. 2 No. 4 | D minor | 1706-00-00circa 1703–1706 | 1733 | |
| 438 | Suite de pièce Vol. 2 No. 5 | E minor | 1717-00-00circa 1710–1717 | 1733 | |
| 439 | Suite de pièce Vol. 2 No. 6 | G minor | 1706-00-00circa 1703–1706 | 1733 | |
| 440 | Suite de pièce Vol. 2 No. 7 | B-flat major | 1706-00-00circa 1703–1706 | 1733 | revised 1717-18 |
| 441 | Suite de pièce Vol. 2 No. 8 | G major | 1706-00-00circa 1703–1706 | 1733 | |
| 442 | Suite de piece Vol. 2 No. 9 | G major | 1706-00-00circa 1703–1706 | 1733 | 62 variations. Prelude and Chaconne. Two different preludes noted in sources (HWV 442/1b in Walsh) |
| 443 | Suite | C major | 1703-00-001700–1703 | Includes Chaconne (of which there are 26 variations) | |
| 444 | Partita | C minor | 1706-00-00circa 1705–1706 | ||
| 445 | Suite | C minor | 1706-00-001705–1706 | ||
| 446 | Suite | C minor | 1706-00-00circa 1703–1706 | Composed for two harpsichords, but the music for only one harpsichord survives | |
| 447 | Suite | D minor | 1739-00-00circa 1738–1739 | Written for Princess Louisa. Companion piece to the Suite in G minor (HWV 452) | |
| 448 | Suite | D minor | 1706-00-00circa 1705–1706 | ||
| 449 | Suite | D minor | 1705-00-00circa 1705 | ||
| 450 | Partita | G major | 1705-00-00circa 1700–1705 | ||
| 451 | Suite | G minor | 1706-00-00circa 1703–1706 | Allemande and Courante only | |
| 452 | Suite | G minor | 1739-00-00circa 1738–1739 | Written for Princess Louisa. Companion piece to the Suite in G minor (HWV 447) | |
| 453 | Suite | G minor | 1706-00-00circa 1705–1706 | ||
| 454 | Partita | A major | 1706-00-00circa 1703–1706 | ||
| 455 | Suite | B-flat major | 1705-00-00circa 1705 | Keyboard version of the overture in B-flat major (HWV 336) and the suite in B-flat major (HWV 354) | |
| 456-1 | Arrangement | 1727-00-00circa 1720–1727 | Arrangement of the overture to the Italian opera “Il pastor fido" | ||
| 456-2 | Arrangement | 1727-00-00circa 1720–1727 | Arrangement of the overture to the Italian opera "Amadigi" | ||
| 456-3 | Arrangement | 1727-00-00circa 1720–1727 | Arrangement of the overture to the Italian opera "Flavio" | ||
| 456-4 | Arrangement | 1727-00-00circa 1720–1727 | Arrangement of the overture to the Italian opera "Rodelinda" | ||
| 456-5 | Arrangement | 1727-00-00circa 1720–1727 | Arrangement of the overture to the Italian opera "Riccardo Primo" | ||
| 457 | Air | C major | 1721-00-00circa 1720–1721 | ||
| 458 | Air | C minor | 1720-00-00?circa 1710–1720 | Authenticity uncertain | |
| 459 | Air | C minor | 1720-00-00?circa 1710–1720 | Authenticity uncertain | |
| 460 | Air (March) | D major | 1721-00-00circa 1720–1721 | ||
| 461 | Air (Hornpipe) | D minor | 1718-00-00circa 1717–1718 | ||
| 462 | Air and minuet | D minor | 1726-00-00circa 1724–1726 | ||
| 463 | Air | F major | 1709-00-00circa 1707–1709 | ||
| 464 | Air | F major | 1726-00-00circa 1724–1726 | A version of the air from the "Water Music" (HWV 348–350) | |
| 465 | Air and two Doubles | F major | 1720-00-00circa 1710–1720 | ||
| 466 | Air | G minor | 1720-00-00circa 1710–1720 | For two-manual harpsichord (or possibly organ) | |
| 467 | Air Lentement | G minor | 1720-00-00circa 1710–1720 | ||
| 468 | Air | A major | 1728-00-00circa 1727–1728 | ||
| 469 | Air | B-flat major | 1739-00-00circa 1738–1739 | Re-used in orchestral form in the Sinfonia in B-flat major (HWV 347) and the Organ Concerto in B-flat major (HWV 311) | |
| 470 | Air | B-flat major | 1720-00-00circa 1710–1720 | For two-manual harpsichord (or possibly organ) | |
| 471 | Air | B-flat major | 1720-00-00circa 1710–1720 | ||
| 472 | Allegro | C major | 1705-00-00circa 1705 | ||
| 473 | Allegro | C major | 1738-08-2525 August 1738 | Clock-Organ | |
| 474 | Air | G major | 1738-00-00circa 1736–1738 | Based on the first chorus of "Acis and Galatea" (HWV 49a). Possibly for organ | |
| 475 | Allegro | D minor | 1720-00-00circa 1710–1720 | ||
| 476 | Allemande | F major | 1735-00-00circa 1730–1735 | ||
| 477 | Allemande | A major | 1726-00-00circa 1724–1726 | ||
| 478 | Allemande | A minor | 1705-00-00circa 1705 | ||
| 479 | Allemande | B minor | 1722-00-00circa 1721–1722 | ||
| 480 | Chorale | G minor | 1740-00-00circa 1736–1740 | Chorale melody "Jesu meine Freude" in the middle part. Possibly for organ. A two-bar epilogue may represent a planned variation | |
| 481 | Capriccio | F major | 1706-00-00circa 1703–1706 | ||
| 482-1 | Arrangement | 1725-00-00circa 1720–1725 | Arrangement of the overture to the Italian opera 'Rinaldo' | ||
| 482-2 | Arrangement | 1725-00-00circa 1720–1725 | Arrangement of the overture to the Italian opera 'Floridante' | ||
| 482-3 | Arrangement | 1725-00-00circa 1720–1725 | Arrangement of the overture to the Italian opera 'Radamisto' | ||
| 482-4 | Arrangement | 1725-00-00circa 1720–1725 | Arrangement of the overture to the Italian opera 'Muzio Scevola' | ||
| 483 | Capriccio | G minor | 1721-00-00circa 1720–1721 | ||
| 484 | Chaconne with 49 variations | C major | 1705-00-00circa 1700–1705 | Version of the Chaconne in Suite HWV 443 | |
| 485 | Chaconne | F major | 1705-00-00circa 1705 | For a two-manual harpsichord | |
| 486 | Chaconne | G minor | 1705-00-00circa 1705 | ||
| 487 | Concerto | G major | 1720-00-00circa 1710–1720 | Two movements | |
| 488 | Allegro (Courante) | F major | 1718-00-00circa 1717–1718 | In G major for the Suite de piece in G major, Vol. 2 No. 9 (HWV 442) | |
| 489 | Courante | B minor | 1722-00-00circa 1722 | ||
| 490 | Fantasie pour le clavecin, | C major | 1706-00-00circa 1703–1706 | ||
| 491 | Gavotte | G major | 1705-00-00circa 1705 | ||
| 492 | Gigue | F major | 1727-00-00circa 1726–1727 | ||
| 493 | Gigue | G minor | 1705-00-00circa 1704–1705 | Two versions | |
| 494 | Impertinence (Bourée) | G minor | 1705-00-00circa 1705 | ||
| 495 | Lesson | D minor | 1710-00-00circa 1705–1710 | Early form (two variants) of the Suite de pièce in D minor, Vol. 1 No. 3 (HWV 428), movement six | |
| 496 | Lesson | A minor | 1720-00-00circa 1715–1720 | ||
| 497 to 558 | 62 Minuets | Various | 0000-00-00 | Two-stave pieces, probably for keyboard. Some related to minuets in other works | |
| 559 | Passepied | C major | 1722-00-00circa 1721–1722 | ||
| 560 | Passepied | A major | 1705-00-00circa 1705 | ||
| 561 | Prelude | D minor | 1706-00-00circa 1705–1706 | Version of the prelude to the Suite de pièce in D minor, Vol. 2 No. 4 (HWV 437) | |
| 562 | Prelude (Harpeggio) | D minor | 1712-00-00circa 1711–1712 | ||
| 563 | Prelude | D minor | 1703-00-00circa 1700–1703 | ||
| 564 | Prelude | D minor | 1705-00-00circa 1705 | ||
| 565 | Prelude | D minor | 1720-00-00circa 1710–1720 | An early version of the Prelude to the Suite de pièce in D minor, Vol. 1 No. 3 (HWV 428) | |
| 566 | Prelude | E major | 1720-00-00circa 1710–1720 | Associated in some manuscripts with movements in the Suite de pièce in F minor, Vol. 1 No. 8 (HWV 433) | |
| 567 | Preludium | F major | 1720-00-00circa 1710–1720 | ||
| 568 | Preludium | F minor | 1720-00-00circa 1710–1720 | Associated in some manuscripts with movements in the Suite de pièce in F minor, Vol. 1 No. 8 (HWV 433) | |
| 569 | Preludium | F minor | 1720-00-00?circa 1710–1720 | Arpeggio del Cook. Authorship uncertain | |
| 570 | Prelude (Harpeggio) | F-sharp minor | 1718-00-00circa 1717–1718 | Originally associated with the Suite de pièce in F-sharp minor, Vol. 1 No. 6 (HWV 431) | |
| 571 | Prelude and Capriccio | G major | 1706-00-00circa 1703–1706 | Two movements | |
| 572 | Prelude | G minor | 1717-00-00circa 1710–1717 | Originally associated with the Suite de pièce in G minor, Vol. 1 No. 7 (HWV 432) | |
| 573 | Prelude (Harpeggio) | G minor | 1705-00-00circa 1705 | ||
| 574 | Prelude and Allegro (Sonata) | G minor | 1705-00-00circa 1705 | Two movements | |
| 575 | Prelude (Harpeggio) | A minor | 1718-00-00circa 1717–1718 | Coupled with the "Lesson in A minor"; HWV 496 | |
| 576 | Prelude and Allegro | A minor | 1706-00-00circa 1705–1706 | Two movements | |
| 577 | Sonata (Fantasia) pour le clavecin, | C major | 1705-00-00circa 1703–1705 | ||
| 578 | Sonata | C major | 1750-00-00circa 1750 | Clock-Organ. Music related to a setting of 'Amen' (HWV 277), the Concerto Grosso in C major for "Alexander's Feast" (HWV 318), and the "Air Lentement in G minor" (HWV 467) | |
| 579 | Sonata (Fantasia) | G major | 1710-00-00?circa 1707–1710 | For a two-manual harpsichord (or possibly organ) | |
| 580 | Sonata (Larghetto) | G minor | 1710-00-00?circa 1707–1710 | One movement | |
| 581 | Sonatina | D minor | 1705-00-00circa 1705 | One movement | |
| 582 | Sonatina (Fugue) | G major | 1722-00-00circa 1721–1722 | One movement | |
| 583 | Sonatina | G minor | 1722-00-00?circa 1721–1722 | One movement | |
| 584 | Sonatina | A minor | 1708-00-00circa 1706–1708 | One movement. Authenticity uncertain | |
| 585 | Sonatina | B-flat major | 1720-00-00circa 1721–1722 | One movement | |
| 586 | Toccata | G minor | 1720-00-00circa 1710–1720 | ||
| 587 to 597 | Eleven pieces | C, F, and G | 1740-00-00circa 1735–1740 | "10 Tunes for Clay's Musical Clock" (Clock-Organ). Includes arrangements of opera arias | |
| 598 to 604 | Seven pieces | C major | 1740-00-00circa 1730–1740 | Clock-Organ. HWV 600 (a version of HWV 588) named "A Voluntary for a Flight of Angels." | |
| 605 | Fugue | G minor | 1718-00-00circa 1711–1718 | 1735 | No 1 of "Six Fugues or Voluntarys for the Organ or Harpsichord" published by Walsh in 1735 |
| 606 | Fugue | G major | 1718-00-00circa 1711–1718 | 1735 | No 2 of "Six Fugues or Voluntarys for the Organ or Harpsichord" published by Walsh in 1735 |
| 607 | Fugue | B-flat major | 1718-00-00circa 1711–1718 | 1735 | No 3 of "Six Fugues or Voluntarys for the Organ or Harpsichord" published by Walsh in 1735 |
| 608 | Fugue | B minor | 1718-00-00circa 1711–1718 | 1735 | No 4 of "Six Fugues or Voluntarys for the Organ or Harpsichord" published by Walsh in 1735 |
| 609 | Fugue | A minor | 1718-00-00circa 1711–1718 | 1735 | No 5 of "Six Fugues or Voluntarys for the Organ or Harpsichord" published by Walsh in 1735 |
| 610 | Fugue | C minor | 1718-00-00circa 1711–1718 | 1735 | No 6 of "Six Fugues or Voluntarys for the Organ or Harpsichord" published by Walsh in 1735 |
| 611 | Fugue | F major | 1705-00-00circa 1705 | No autograph | |
| 612 | Fugue | E major | 0000-00-00 | No autograph. Single source is from a manuscript of organ voluntaries; probably authentic, though the text of final bars is defective. The fugue subject is related to the "Water Music" overture | |
| A15 1 – 37 |
Minuets | Various | 0000-00-00 | Arranged from music of opera arias |
Read more about this topic: List Of Compositions By George Frideric Handel
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