Italian Arias
HWV | Title | Voice | Composed | Text |
---|---|---|---|---|
211 | Aure dolci, deh, spirate | Alto | 1726-00-00London, circa 1722–26 | |
212 | Con doppia gloria mia | Soprano | 1726-00-00London, circa 1722–26 | |
213 | Con lacrime si belle | Alto | 1718-00-00London, circa 1717–18 | |
214 | Dell'onda instabile | Alto | 1749-00-00London, circa 1749 | |
215 | Col valor del vostro brando | Soprano | 1713-00-00London, circa 1711–13 | |
216 | Impari del mio core | Soprano | 1749-00-00London, circa 1749 | |
217 | L'odio, sì, ma poi ritrovò | Alto | 1726-00-00London, circa 1722–26 | |
219 | Non so se avrai mai bene | Soprano | 1718-00-00London, circa 1710–18 | |
220 | Per dar pace al mio tormento | Soprano | 1749-00-00London, circa 1749 | |
221 | Quant'invidio tua fortuna | Soprano | 1749-00-00London, circa 1749 | |
222 | Quanto più amara fu sorte crudele | Soprano | 1723-00-00London, circa 1721–23 | |
223 | S'un di m'appaga, la mia crudele | Soprano | 1741-00-00London, circa 1738–41 | |
224 | Si, crudel, tornerà | Soprano | 1741-00-00London, circa 1738–41 | |
225 | Spera chi sa perchè la sorte | Alto | 1718-00-00London, circa 1717–18 | |
227 | Vo' cercando tra fiori | Soprano | 1726-00-00London, circa 1726 |
Read more about this topic: List Of Compositions By George Frideric Handel
Famous quotes containing the word italian:
“Semantically, taste is rich and confusing, its etymology as odd and interesting as that of style. But while stylederiving from the stylus or pointed rod which Roman scribes used to make marks on wax tabletssuggests activity, taste is more passive.... Etymologically, the word we use derives from the Old French, meaning touch or feel, a sense that is preserved in the current Italian word for a keyboard, tastiera.”
—Stephen Bayley, British historian, art critic. Taste: The Story of an Idea, Taste: The Secret Meaning of Things, Random House (1991)