List of Compositions By George Frideric Handel - Hymns

Hymns

HWV Title Voice Composed Notes Text
202 Künft'ger Zeiten eitler Kummer Soprano 1726-00-00London, circa 1724–26 by B.H. Brockes from "Irdisches Vergnügen in Gott."
203 Das zitternde Glänzen der spielenden Wellen Soprano 1726-00-00London, circa 1724–26 by B.H. Brockes from "Irdisches Vergnügen in Gott."
204 Süsser Blumen Ambraflocken Soprano 1726-00-00London, circa 1724–26 by B.H. Brockes from "Irdisches Vergnügen in Gott."
205 Süsse Stille, sanfte Quelle ruhiger Gelassenheit Soprano 1726-00-00London, circa 1724–26 by B.H. Brockes from "Irdisches Vergnügen in Gott."
206 Singe, Seele, Gott zum Preise Soprano 1726-00-00London, circa 1724–26 by B.H. Brockes from "Irdisches Vergnügen in Gott."
207 Meine Seele hört im Sehen Soprano 1726-00-00London, circa 1724–26 by B.H. Brockes from "Irdisches Vergnügen in Gott."
208 Die ihr aus dunkeln Grüften Soprano 1726-00-00London, circa 1724–26 by B.H. Brockes from "Irdisches Vergnügen in Gott."
209 In den angenehmen Büschen Soprano 1726-00-00London, circa 1724–26 by B.H. Brockes from "Irdisches Vergnügen in Gott."
210 Flammende Rose, Zierde der Erden Soprano 1726-00-00London, circa 1724–26 by B.H. Brockes from "Irdisches Vergnügen in Gott."
284 Sinners obey the Gospel word (The Invitation) Soprano 1747-00-00circa 1747 Probably at the request of Priscilla Rich. by Charles Wesley.
285 O Love divine, how sweet thou art (Desiring to Love) Soprano 1747-00-00circa 1747 Probably at the request of Priscilla Rich. by Charles Wesley.
286 Rejoice, the Lord is King (On the Resurrection) Soprano 1747-00-00circa 1747 Probably at the request of Priscilla Rich. by Charles Wesley.

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Famous quotes containing the word hymns:

    The form of act or thought mattered nothing. The hymns of David, the plays of Shakespeare, the metaphysics of Descartes, the crimes of Borgia, the virtues of Antonine, the atheism of yesterday and the materialism of to-day, were all emanation of divine thought, doing their appointed work. It was the duty of the church to deal with them all, not as though they existed through a power hostile to the deity, but as instruments of the deity to work out his unrevealed ends.
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